Showing posts with label Bologna. Show all posts
Showing posts with label Bologna. Show all posts

Sunday, November 23, 2014

Needlework Competition


I adore needlework competitions even though I never find the time to participate in them. You may recall the A Mirror To My Art competition and the Chatelaine de Vergy competition that I told you about previously from which came some truly beautiful needlework.

The Museo della Tappezzeria Vittorio Zironi and the publishing house Nuova S1 of Bologna, Italy announce a needlework competition which will produce some breathtaking works, I am sure!

They have recently collaborated with a book release and museum exhibition of the designs of Guido Fiorini, an early 20th century Bolognese artist and key figure in the "Liberty" (Art Nouveau) style which runs through to the end of July 2015 - if you can get there, go!


Those of you who know a little of your Liberty history will know that Liberty + Bologna = Aemilia Ars! Under the direction of the Countess Lina Cavazza of the Aemilia Ars SocietyGuido Fiorini made many lace designs like the one shown above.

You can see some of the designs on display at the museum in this YouTube video:


For Italian speakers, the needlework competition rules can be found here. For English speakers, I have translated them below. Please let me know if you are entering a piece in the contest! Worth a note: if you are a registered participant, you are entitled to a 15% discount off the purchase of any publication from Nuova S1! They now accept PayPal.

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Create and exhibit at the museum! Participate in the "Drawings of Guido Fiorini" competition!


On the occasion of the autumn edition of Il Mondo Creativo (November 21-13, 2014 in Bologna), Edizioni Nuova S1 inaugurates the website: http://idisegnidiguidofiorini.tumblr.com/
On the site and on the Facebook page Merletti e Ricami della Nuova S1 the following initiative takes place, realized in collaboration with the Museo della Tappezzeria Vittorio Zironi of Bologna: a competition, open to the techniques of embroidery, lace, knitting and weaving inspired by the Drawings of Guido Fiorini.
The competition is free and takes place online: the prize for the works with the most votes is that they will be exhibited at the Museo della Tappezzeria alongside the Fiorini works.
Read the rules and participate!
You can exhibit your work twice! First online and than at the museum!

The Drawings of Guido Fiorini Competition

The publishing house Nuova S1, in collaboration with the Museo della Tappezzeria Vittorio Zironi, organizes a competition of embroidery and lace based on the drawings contained in the publication: "I Disegni di Guido Fiorini" with the aim of setting off new works of this 20th century artist.

Rules

  • Participation in the competition is free.
  • The competition is open to all, amateurs and professionals with no age limit.
  • Participate by reproducing a work from the publication "The Drawings of Guido Fiorini, works for Aemilia Ars lace, page headers and ornate initials" (Nuova S1, 2014).
  • Only one work per person is to be submitted. Measurements are open to a maximum of 20 cm x 20 cm.
  • Not only Aemilia Ars lace! Your work can be realized in any technique of lace, embroidery, knitting or weaving.
  • To register, send an email to: info@nuovas1.it or telephone: 051-346050 by and no later than December 23, 2014. Subsequently, photos of finished works will be sent to info@nuovas1.it by and no later than April 20, 2015.
  • All photos of the works will be published on the website dedicated to the competition at: http://idisegnidiguidofiorini.tumblr.com/ and on the official Facebook page of the "Lace and Embroidery" publication collection: https://www.facebook.com/merlettiericami.nuovas1
  • The works with the most "likes" on Facebook will be exhibited at the Museo della Tappezzeria Vittorio Zironi in Bologna. The organizers of the competition reserve the right to periodically supervise the conduct of voting.
  • Winners will be notified by telephone or email.
  • Voting will be closed by May 15, 2015.
  • Registered participants are entitled to a 15% discount on the purchase one or more of the titles from the Edizioni Nuova S1 catalogue.
  • Winning works will be sent via tracked mail to: Nuova S1 snc di Pietro Cimmino & C., Via Albertazzi, no. 6/5, 40137, Bologna, Italy.
  • Works will only be returned to those who explicitly request it.
  • The organization, while ensuring the utmost care of the works, declines all responsibility for loss, theft and damage. 
  • The authors of the works, by the very fact of participating in the competition, give the right to publication without any claims of copyright. The artistic property will always remain that of the author. The organization reserves the right use the works to organize exhibitions, paper and/or electronic publications including online and other initiatives without owing anything to the author, who will always be credited by name. Each author is responsible for the works submitted and, with their submission, authorizes its publication and gives permission to the organization to be able to manage fully and exclusively the work itself, under current regulations on the protection of privacy and confidentiality. 
  • Under the provisions of Law 196/03 (law on the protection of personal data), the participation in the competition implies the unconditional acceptance of these rules.

Note One: Do not wait until the last minute to register! If the required minimum of entrants is not received by December 23, 1014, the competition will be cancelled.

Note Two: Send in a photo of your work as soon as it is finished! The sooner you do, the sooner it will be published allowing for the maximum visibility of your work.

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Italian Needlework assumes no responsibility as to the accuracy of the above translation and shall not be held responsible for errors in translation.


Sunday, July 20, 2014

Embroidery on ribbons - new book!



Anna Castagnetti from Verona has released her latest book: Ricami sui Nastri [Embroidery on Ribbons] through the ever-expanding "Lace and Embroidery" collection from Nuova S1 in Bologna.

Anna is now the author of many Italian embroidery books and she shows no sign of slowing down or running out of cool ideas.

This is a translation of what it says on the book's page at Nuova S1:

Zigzag ribbons are very versatile: they can be found in many colours and in various widths and, being flat and of a compact weave, are perfect to apply to fabric and embroider on effortlessly.

Starting with this simple ribbon the author offers many ideas with detailed instructions, accessible even to beginners, for decorating your creations.

The zigzag ribbons, I know as Rickrack trim and there are other trimmings used like grosgrain ribbons and gorgeous velvet ribbons alongside coloured embroidery threads.

Guest towel project from Ricami sui Nastri by Anna Castagnetti.

The book is 64 pages and contains diagrams for a few decorative embroidery stitches used in the embellishment of the projects of which there are 14 of various complexity. Delightful guest towels, bags and purses, cushions and placemats which all serve to get your creative juices flowing and lead you to think of a million other things that you can apply these ideas to.

It is chock-full of step-by-step large and close-up colour photos. The text is in Italian but there is enough here in the way of diagrams, illustrations and photography to help you figure out what to do especially if you already have some sewing and/or embroidery experience.

You can see a preview of a few pages here.

Simple and quick but enough to personalize. I admire the way that Anna can always do these kinds of things that are just perfect for today's embroiderer who has less time than previous generations but who still wants to create with needle and thread.

This book is available now and you can contact Anna through her website or Nuova S1 (I believe they take PayPal now).


Thursday, February 6, 2014

Liberty Style, Aemilia Ars Needle Lace and Forlì



In Italy Art Nouveau style is called Liberty after the British company Liberty of London. Art Nouveau style was influencing all forms of creativity during the time that Aemilia Ars needle lace was born which is apparent in early pieces of this beautiful needlework.

From February 1st until June 15th, 2014 there is a Liberty exhibition held at the San Domenico Museums in Piazza Guido da Montefeltro in Forlì, Italy.

Among the many things to see will be an Aemilia Ars needle lace exhibit and classes (I've outlined the information on the classes in red on the brochure pictured above). Here is a translation of what it says:

Workshops
Aemilia Ars lace earring
Creation of needle lace
From February 15th to May 24th every Saturday (except the 19th and 26th of April and the 3rd of May)
Mornings from 10am to 12:30pm and afternoons from 3pm to 5:30pm
Other dates available on request
€30,00 (euros) per person
Cost includes a pair of gold earring mounts and entrance ticket to the Liberty exhibits
The workshop is available for individual visitors or groups with a maximum number of 25
A reservation is compulsory
For information and bookings:
Francesca Bencivenni
(contact info via telephone and email which I won't put here so that webcrawling spammers can't target them - check the brochure by clicking on the photo above)

(Francesca Bencivenni is the lacemaker behind the exquisite creations found on this website.)

Also featured in the Liberty exhibit at Forlì will be the Aemilia Ars needle lace altar cloth masterpiece created by the lacemakers and embroiderers of the Sanctuary of the Sacred Heart of Jesus of Bologna in the early years of the 20th century. I wrote an article for Piecework magazine about this altar cloth which I had the extreme privilege to view while on display at Easter at the Sacred Heart in Bologna in 2011. There are some photos of it here. 

In this post here, I told you about two table cloths created by the Aemilia Ars Society in the early part of the 20th century. I have as yet been unable to discover if either of these incredible pieces have survived to present day. Inspired by the beauty of these designs Francesca Bencivenni of Bologna has created her own masterpiece which will be on display as well at the Liberty exhibit in Forlì.

click on the photo for a closer look!

Francesca's peacock Aemilia Ars needle lace measures 89 centimetres long and 21 centimetres high and took more than 1100 hours for her to complete. It will be for sale at the end of the show - best offer will take it home - interested parties should contact her directly at her contact info on the brochure pictured above. I am in no way involved with, nor will I benefit from, the sale of the lace. If I could buy it myself I would have already made an offer!

If you find yourself in Italy this spring, make the effort to get to this show. I know I always say this but I really do wish I were able to get to this exhibit! If you go, please let me know how it was!

Sunday, November 17, 2013

Ordering Update for Aemilia Ars DVDs


Screen shot from the trailer.
 
Screen shot from the trailer.
Screen shot from the trailer.

I have an update on purchasing the Aemilia Ars needle lace DVDs that I told you about the other day!

The publisher Nuova S1 has told me that he can accept PayPal as a method of payment and that the shipping costs are 22,00 euros which is about $30.00 USD. This is for tracked packages. It seems the shipping costs are the same for one or two DVDs.  Send an email to order.

I'd love to hear from you regarding how it goes and what you think of the DVDs!

Saturday, November 9, 2013

Aemilia Ars Needle Lace DVDs


DVD no. 1

Four days before I left for Italy in September, I received an email from Bianca Rosa Bellomo of the Associazione Culturale "I Merletti di Antonilla Cantelli" in Bologna. She was putting the finishing touches on a couple of Aemilia Ars needle lace DVD instructional videos that the Associazione had made in collaboration with the Nuova S1 publishing house and there was provision for subtitles in English - could I check over her translations?

Back of the DVD

We worked right up until the day before I left on English subtitles for both DVDs. The first one covers the basics of Aemilia Ars needle lace and includes the printed patterns for a lavette cloth with a border and a rose motif (48 minutes long). The second covers the same basics of Aemilia Ars needle lace and includes a printed carnation motif design (35 minutes long).

You can check out the DVD trailer on YouTube, be sure to change the settings to 1080pHD for high definition quality:


When we met in Bologna a week later Bianca Rosa told me all about how the Associazione's idea came to fruition and the incredible work involved in making the DVDs. She described all the things you never think about like the music selection, typography and the best camera angles. They were hoping to have the DVDs ready for the (then) upcoming handmade creativity exhibition Abilmente in Vicenza the weekend of October 17, 2013. Unfortunately I was unable to get to the exhibition but Bianca Rosa performed acrobatics in order to get me my copies of the DVDs before I left Italy for home.

I was going to Ferrara to visit some friends and I emailed Bianca Rosa to tell her that I had to change trains in Bologna and that I would be thinking of her as I passed by her city. She responded that she'd meet me on the platform. Now, the Bologna central rail station has recently undergone massive improvements and it's huge! There are many entrances and exits to the platforms and great confusion can happen. The morning I left Florence for Ferrara there was a freak rainstorm and flash flooding which resulted in many of the local trains being cancelled due to damage along the tracks and huge delays with the trains that were running. Suddenly the half hour I had to change trains in Bologna became 5 minutes. I hit the ground running from my arrival platform in search of my (by now almost deserted) departure platform and upon arrival at the top of the stairs I didn't see Bianca Rosa anywhere. My train rang the bell that it was departing and I had to jump on immediately. When I arrived in Ferrara I contacted Bianca Rosa to apologize for leaving her hanging around the station for an hour wondering what had happened to me and we resigned ourselves to the fact that we would not see each other again before I left Italy at the end of the week.

Bianca Rosa however is a very determined lady for which I am profoundly grateful. She called my friend in Ferrara later in the day to say that she'd looked up my return train to Florence on the internet and even though this time I didn't have to change in Bologna, the train would still stop to pick up passengers there. She asked what carriage my seat was in and said she'd be waiting on the platform right where my carriage would stop and that I should jump down for a second and get the package she had for me.

It all seemed so simple.

My train left Ferrara on schedule and the rain had stopped. Five minutes outside of Bologna I got up and went to the doorway of the carriage to get ready to jump down at the station. All the lights in the train went out and we came to a dead stop. We sat there on the tracks for 20 minutes. Early evening in late October in the countryside of the Emilia-Romagna region of Italy means no lights in the darkness. I had returned my borrowed cell phone and therefore had no way of communicating with Bianca Rosa. I will admit that I thought about Harry Potter and the Dementors while we sat there on the tracks in the darkness. Luckily Bianca Rosa waited and when we finally arrived at the Bologna station, I jumped down, thanked her profusely and jumped back on the train instantly. I was afraid that it would leave right away as we were now behind schedule. I ran back to my seat with my parcel and looked for her out the window but she was gone. The train sat in the station for another 15 minutes. I thought about the little mini-visit that we could have had instead of that last panicked hug. Well, enough about my adventures, you're thinking: tell us about the DVDs!

DVD no. 2

Of course I couldn't watch them until I got home to Canada but I can tell you that they are worth all the acrobatics done to get them! They are priced very reasonably for the amount of instruction there is and if you're like me and have been fumbling around with Aemilia Ars needle lace on your own at home, just watching the execution of the lace and observing the way the piece is held, the usage of the thumb and the movements involved will be a great help to you.

Been struggling with those picots? Now you can see exactly how they are done. I really like the graphics and the way they illustrate which parts of the lace you are watching. Even with the sound off and no subtitles, it was very easy to see what was happening. The assembly of the support system is shown as are the various steps to changing threads when you run out in a wide variety of positions (eg. during filling stitches, during structure construction, while executing support stitches, while executing a petal, an arch and other motifs), detaching the lace from the support system, attaching the lace to fabric, attaching the fabric to the support system and many other interesting and valuable tips and tricks.

The Aemilia Ars needle lace DVDs are in PAL2 format which means that they won't work on your DVD/TV combination at home in North America but I watched mine without a hitch on my Macintosh computer - I can't tell you if a PC can do the same but I know that there are programs which allow you to view European formatted DVDs, best to inform yourself first if you have any doubts.

At the moment, the Aemilia Ars needle lace DVDs are only available directly from the publisher Nuova S1. I have talked to them and they are looking into shipping costs to North America and the possibility of accepting PayPal as a form of payment, I will update you when they get back to me. Lacis in California distributes their books but doesn't have the DVDs - you could try contacting them to see if they can bring the Aemilia Ars needle lace DVDs in for you. Please let me know if you are successful, so I can spread the news to others!

Ordering update can be found here.

Sunday, August 11, 2013

Delicious Umbrian Embroidery

The very best gifts are those that are unexpected. Last week a courier arrived with a package from Italy and I had no idea what it could be. The little girl in me took over as soon as I'd signed for it and I sat down right there on the stairs and ripped open the envelope. Inside was truly a wonder to behold and I sat there for the better part of an hour (probably with my mouth open the whole time).


As regular readers will know, I absolutely LOVE the textured Italian embroideries and this is a stunning example. An Umbrian Embroidery pillow cover in amazing condition!

This very fortunate find was discovered by Bianca Rosa Bellomo of the Associazione I Merletti di Antonilla Cantelli in Bologna. She told me that she found it at a stall in the market at an excellent price. The lady running the stall told her that it came from an rich estate in the hills which was vacated. It has certainly been well looked after!

In the book Ricami della Bell'Epoca I found two photos of a table cover with the same design (repeated seven times!). The caption says that that piece dates to the 1930s. I wonder how old the one I have is?


This book says that pieces of this kind of embroidery can be found in the collections of the Cooper Hewitt Museum in New York, the Museo Storico Didattico della Tappezzeria di Bologna and the Fondazione Ranieri in Perugia.

Detail of my pillow cover.


Four delightful knotted tassels, one at each corner of the pillow cover. Inside the head of each one appears to be a wooden bead.


Check out these exquisite buttons which run along the top edge to enclose a pillow! They are slipped through buttonhole loops to close.


Insertion stitching used on three sides to join the front and back together. See how the edging matches? The back has three sets of blanket stitches repeating all the way around and the front is bordered by chain stitching. The stitching matches along the edge of the insertion stitches.

Detail of my pillow cover.

Detail of my pillow cover.

Detail of my pillow cover.

Detail of my pillow cover.
I can study the back side of the embroidery too!


I just happen to have the perfect size pillow to put in it and now it sits on my bed so I can see it every time I walk into my room!

A tremendous and heartfelt thank you to Bianca Rosa for this most precious of gifts!


Tuesday, March 26, 2013

Aemilia Ars Needle Lace - New Book!



Nothing lifts the spirits bogged down by winter doldrums like a new needlework book! Pictured above is the third and latest publication in the Quaderni di Aemilia Ars series. This time the ladies of the Associazione Culturale "I Merletti di Antonilla Cantelli" tackle fruit!

Classic Fruits is the title and in addition to pomegranates and grapes there are acorns, sheafs of grain and all the appropriate foliage to help you create nine exquisite projects of various sizes and difficulty.

There are detailed instructions with the support stitches visible and though the text is only in Italian, if you've been experimenting already, you should be able to follow along. If this is your first foray into Aemilia Ars Needle Lace, there are diagrams and close-up fotos to help you figure things out if you don't speak Italian.

Sample page. Copyright Nuova S1.

This soft-cover book is a healthy 80 pages made up mostly of close-up photos, something I really like! I really want to be able to count the stitches in an example when I'm doubting whether I've done something correctly. I never have any idea of how many stitches should be filling an area and I'm always afraid to make my own guess, so this really helps me become a little more comfortable when learning something new.

I have translated a few paragraphs from the introduction:

The acorn, pomegranate, grapes and sheafs of grain are recurring motifs in our lace. Not all are fruits in the true meaning of the word, but we believe in the understanding of the reader for this and other inaccuracies.
[...]
We have indicated these fruits as classics for their presence in many contexts (traditions, history, legends, sacred texts, designs, heraldry) and their various symbolic meanings more often changing over time and from place to place, they themselves have changed. 
[...]
Among the many possible executions of each motif, in the technique Aemilia Ars, we have made a particular choice, dictated primarily by simplicity. The pictures indicate the orientation of the piece during execution.
[...]
The drawings were done in pencil. We are not interfering with the result: we wanted to maintain that undeniable charm that the lines have – a bit faded and certainly always irregular. Everything is now in the hands of those who will make and give their own interpretation.

If you've already seen the two previous books in this series: Fiori [Flowers] and Bordi [Borders], then you know that this will be a rare and valuable addition to your library. If you're in Europe, you can order directly from the publisher, Nuova S1 and pay by bank transfer. If you are overseas, you can pay with PayPal from Tombolo Disegni (send an email request to order).

Look for the May/June 2013 issue of Piecework for another great project in Aemilia Ars Needle Lace!

Thursday, March 21, 2013

Aemilia Ars Needle Lace - thread used for support stitches


Many times when we are interested in learning a new needlework technique, we go about gathering the "right" supplies. I know for me, when I want to start something, I get a lot of the enjoyment from the hunt for materials.

I have only dabbled in Aemilia Ars needle lace, a quick 3-hour class back in 2007 and some experiments on my own at home. Nothing I want to show anyone! From reading Italian books on how to execute this beautiful form of needle lace, I saw that they used something called "Refe" no. 40 for the support stitches. That is, the stitches which are placed on the cardboard support to hook on to when building a piece of lace.

I have never been successful in obtaining a spool of this mysterious "Refe" no. 40 so I've always just used cotton sewing machine thread. It is quite annoying as the sharp needle used to execute the actual lace always pierces the support stitches making it quite the task to separate the lace from the cardstock support. There are always endless little fibres from the support stitches to be extracted from the lace.

Here is what I mean by support stitches, I can't show you the whole design as it is about to be published in the May/June Lace Issue of Piecework.


I learned that the "Refe" no. 40 is not terribly easy to find in Italy either as it has been discontinued. The ladies are now using a new thread called Coats Glace no. 40. I immediately set about finding myself a spool (in the interests of research, you understand). I couldn't find it anywhere around here (North America) so I wrote to the Coats UK website asking where I might get some locally. While we wait on their reply, you can see what it looks like and read about its particular qualities at the Coats UK website. Keep in mind, we are talking about the Ticket no. 40 thread weight.

Meanwhile, I found Coats Glace for sale at TomboloDisegni in Italy (look under: Negozio, Filati, Cotone, Filati Vari), so I ordered a spool (among other things) and when it arrived I used it for the support stitches in the photo shown above. I always test my translations to see if my English makes any sense, so after I had translated the instructions for this piece, I started to see if I could execute the lace.

What I noticed right away was that I no longer split the support stitches with my needle when executing the lace stitches. Fantastic! If I ever finish the lace, it will be easily removed from the cardstock and support stitches.

Conclusion: the Coats Glace no. 40 thread is worth the investment as it will save lots of time and frustration in the long run.

Now, because I am who I am, I still wanted to see the "Refe" no. 40 thread and some kind ladies in Bologna send me a partial spool of it. The first thing I noticed is that the label doesn't have "Refe" on it anywhere! No wonder I couldn't ever source a place online to buy it! No matter! It was called "Lettera Lucido" and put out by Coats Cucirini which is the Italian division of Coats.


Comparing the two threads, the Glace is ever-so-slightly thicker and has 100 metres more thread on the spool but otherwise has the same stiffness to it, which is because of the way it is made. I can't get the price tag off the Glace thread without removing the paper below so I've left it there so you can see through it (underneath it says: Coats Glace, made in Turkey).

If I ever hear back from Coats about a North American source, I'll let you know!

Wednesday, October 31, 2012

Embroidery using a hoop



For those who would like to learn to use an embroidery hoop to aid in creating beautiful traditional needlework, Anna Rondelli of Bologna has just released her second publication: Ricamo a Telaio [Embroidery using a hoop].

Translated from her website:
Through the pages of this book, we learn how to hold the hoop in hand. It is the "ABCs" of embroidery that you should know before moving on to more complex techniques. The principal stitches of embroidery executed using a hoop like cording stitch, padded satin stitch, shadow work, buttonhole stitch edgings, Rodi Stitch and many others and their variations are explained step-by-step. Different projects are presented in detail in the third part. The designs of some of the work (on transfer paper and ready to use) are enclosed in a separate envelope. This publication may be useful to experts for consolidating their technical knowledge and for beginners who want to get to know embroidery using a hoop.

Sample of stitch instructions.

This book is also a showcase of Anna's gorgeous traditional embroidery. There are some designs dedicated to the bridal trousseaux in elegant colour choices.

Anna dreams of continuing to publish more and more complex stitches and techniques in the future, so if you enjoy this book, there may be more to come. The text of this book is in Italian.

If you're in Bologna from the 16th to the 18th of November 2012, you can get your hands on this book by attending the fair Il Mondo Creativo in Bologna, otherwise you can contact Anna through her website La Prilletta.

For a review of this book in Italian, see the TuttoRicamo blog.

Wednesday, March 28, 2012

La Prilletta in Bologna


Some weeks ago, I received an email from Anna Rondelli of the Embroidery Association La Prilletta in Bologna.

She asked me to take a look at her website and her work.

You should too! There are photos of exquisitely delicate traditional embroidery techniques done with the utmost care and finesse. Traditional embroidery stitches like raised and padded satin stitch, shadow work, Broderie Anglais, needlepainting, cut work and drawn thread work are just some of the techniques used on fabrics like silk, organdy and fine Italian linens.


The aim of the Association La Prilletta is to rediscover and make known classic embroidery executed using a hoop which enjoyed its heyday in Bologna between the end of the 1800s and the early part of the 1900s. Anna has some of her grandmother's and great-grandmothers patterns and embroideries which she uses for inspiration along with some published designs from the period.


Taking their inspiration from pieces found in family trousseaux, the Association La Prilletta works to make this embroidery technique relevant to our modern times while being faithful to its past. They practise it so it will not be lost over time and in the hopes of enriching all those who encounter it with the beauty of this embroidery.

Anna herself spent 10 years learning from Vilma, a Bolognese embroidery master who attended the famous embroidery school headquartered at the Sacro Cuore Sanctuary in Bologna. This famous workshop was also renowned for the pieces of exqusite Aemilia Ars needlelace that it produced in the early 20th century.

The Association La Prilletta is currently working towards their first exhibition which will fall in September of 2012 in Bologna, watch their website for more details.

They offer classes in these beautiful embroidery techniques and a few didactic booklets, go to their website for more info.

Saturday, March 10, 2012

New Needle Lace Association in Bologna


Il merletto di Bologna is a new non-profit cultural association started in April of 2011 with the aim of passing on and spreading the knowledge of the Bolognese needle lace technique of Aemilia Ars.

They offer courses from beginner to advanced levels for learning this breathtaking needle lace.

In early June of this year they will be participating in an exhibition in Bologna which will display their  works. Watch their website for more details.

Photo copyright: Il merletto di Bologna.

Check out their picture gallery for some lovely pieces of this lace.


Tuesday, February 28, 2012

Upcoming Needlework shows


I have been asked by several readers if I know of upcoming events in Italy relating to needlework. Some are busy planning their holidays and wish to incorporate a needlework event or two into their stay in Italy. It's a lovely idea and makes for a memorable time.

Abilmente presents their Creativity Fair in Vicenza, March 1 - 4, 2012. This is a big craft fair not just dedicated to needlework.
http://www.abilmente.org/nqcontent.cfm?a_id=1764&lang=en

Trecce, Intrecci, Merletti - an exhibition of Braid Embroidery, Cantù Lace and Aemilia Ars Needle Lace at the Villa Smeraldi, 15km outside of Bologna. March 11 - 25, 2012. 

HobbyShow is big craft fair in Milan, March 16 - 18, 2012. Needlework is included but not the dominant theme of this fair.
http://www.hobbyshow.it/milano/

Festa Del Ricamo - sponsored by Casa Cenina, this year's theme is the Sampler. June 2 - 3, 2012. Contest details and other related information can be read here:
http://www.casacenina.com/blog/the-details-about-our-contest-the-sampler-of-my-life.html

The Hand Embroidery and Artisan Weaving Exhibition will be held in Valtopina, on August 31 - September 2, 2012. The theme for this show is: Green Monuments of Umbria - the trees. If you would like to participate in their competition for this show, you must make a tablecloth for six settings, executed in a technique of hand-embroidery or lace of your own design. For more details, see their website:
http://www.mostravaltopina.it/concorso/

The International Biennial Lace Exhibition of Sansepolcro will be held September 8 - October 28, 2012. This year's show is dedicated to the Emancipation of Women. Download the program in English and Italian here (click on the words: "Regolamento e bando di concorso").

The Ago Magico show and market will be November 9 - 11, 2012 at the Parco Esposizioni Novegro about 10kms outside of Milan. This show is dedicated to artistic embroidery and sewing.
http://www.parcoesposizioninovegro.it/lagomagico/

Italia Invita has just announced the dates for the 6th edition of their Textile Creativity Forum which will be located in Parma, May 10, 11, 12, 2013. They haven't announced the theme or events and attractions yet as we're still a little more than a year away from this one, but stay tuned, these things will be forthcoming soon.
http://www.italiainvita.it/

That's all that I've got for now. I will post again with any additions that I discover. Please post a comment if you know of an event that I've missed or if you visit any of these events, we'd love to hear about them!

Sunday, December 11, 2011

Aemilia Ars Needle Lace Freebies

The Cultural Association "I Merletti di Antonilla Cantelli" has given a most wonderful selection of old Aemilia Ars needle lace patterns as a Christmas gift to their readers, students and followers!

This morning I received their newsletter in my inbox and with my heart racing I clicked on the link to read their full letter which tells the story that in the middle of the 1990s, Francesca Ortolani who was part of the religious order of the Sanctuary of Sacro Cuore in Bologna gave to Antonilla Cantelli's students some boxes full of large and small patterns for Aemilia Ars needle lace which had been used by the famous school which was headquartered at the Sacro Cuore beginning in 1912 which taught sewing, embroidery and lace to women.

Antonilla Cantelli being by then (the mid-1990s), a master of Aemilia Ars needle lace had begun her studies at the above-mentioned school which was well and widely known for the high calibre of Aemilia Ars needle lace made there. Antonilla had four students at the time of this wonderful donation from Francesca Ortolani and they were delighted to have their pick from the boxes of hundreds of patterns. 

Later, some of the students of Antonilla Cantelli formed the Cultural Association "I Merletti di Antonilla Cantelli" which continues to teach the methods of their master and to ensure that the breathtaking needle lace of Aemilia Ars is not forgotten. It is these ladies who have now decided to share a selection of their old patterns with us as a special Christmas present.

The 10 patterns are downloadable free from their website and have indications written on them (in Italian) for the execution of the lace.

If you should like to pursue Aemilia Ars needle lace but cannot get to Bologna to take classes, the ladies of the Association have published two fantastic books of instructions to help you. One is called "Bordi" [Borders] and one is called "Fiori" [Flowers]. You may still order them from Elena at Italian Needlecrafts until the 27th of December when she closes her shop. Elena also carries the lovely book of patterns and photos of Antonilla Cantelli's work written by her granddaughter Barbara: L'Aemilia Ars di Antonilla Cantelli.

For those of you interested in the history of Aemilia Ars needle lace, the ladies of the Association have begun to post original documents on their website under the "Storia" tab.

Monday, July 4, 2011

Goldwork in Bologna

Some of the best places to see needlework when you're traveling is in religious buildings. There are usually excellent examples of the best needlework as historically the Church had money to spend and the habit of conserving their embroideries well.

The Basilica of San Francesco in Bologna is no exception, when we walked into the 13th century building I was immediately struck by a stunning Goldwork altarcloth:


Besides couched gold threads there are also areas of raised plating to accent the turn-over parts of the leaves.

Jewels and other ornaments are worked right into this amazing piece.

Bobbin lace at the top made of gold thread and gold fringe at the bottom!

This altarcloth was a work of particular magnificence, utilizing many of the techniques and materials of Goldwork embroidery. It was so incredible and so well executed! If Goldwork interests you and you're in Bologna, don't miss the opportunity to study this piece!

There was also a lot of other needlework on display in the Basilica, like cutwork and needlelace but we'll look at those another time.

Sunday, May 22, 2011

Borders of Aemilia Ars

The long awaited Bordi [Borders] of the Quaderni di Aemilia Ars series is out!


78 pages of clear instructions on how to make this breathtakingly beautiful needle lace.

Once again the pupils of the Aemilia Ars master Antonilla Cantelli have worked hard to bring you step-by-step instructions. This book is in the same format as their previous publication Fiori [Flowers], this time they present numerous borders, edgings and inserts with large clear colour photos.

If you are a regular reader of this blog you will know that I have spoken often and lovingly of Aemilia Ars needle lace. It is truly a jewel in the crown of needlearts.

The ladies of the Association I Merletti di Antonilla Cantelli also had a booth at the Italia Invita Forum in Parma this year and it was full of exquisite pieces of Aemilia Ars needle lace, both new and old (click on the underlined text for some pictures).

I was the lucky recipient of this needle lace flower which is absolutely perfectly made and attached to some wire so that you can hook it around a button:


While in Bologna, I couldn't miss the opportunity to revisit the Collezioni Comunali d’Arte museum and the only continuous exhibit of Aemilia Ars needle lace that I know of.


Can you see the snails? Ah well, more about that later...

If you're interested in the book on Aemilia Ars needle lace borders or even the one on flowers, check out the online needlework store Tombolo Disegni.

As always, many thanks to Elisabetta for the photo from the museum in Bologna!

Friday, May 20, 2011

Italian Holiday

Well, if you've been wondering what had happened to me, I've been in Italy for a month!

I just got back and haven't unpacked yet but I wanted to give you a little preview of things to come...

I visited Bologna (needlelace piece from the Collezioni Comunali d’Arte Museum in Bologna):


...Sicily (sign for the Drawn Thread Work Museum in Chiaramonte Gulfi):


...Sardinia (Byssus Museum in Sant'Antioco):


...Parma (Puncetto stand at the Italia Invita Textile Forum 2011):


...and Florence (Palazzo Davanzati Museum and the trapunto quilt reproduction stitched by Silvana Vannini):


It was a needlework-themed holiday and I saw and did so very many lovely things!

Special thanks to Elisabetta for the photos of Bologna and Sicily! 

Please be patient while I get myself organized and start to answer all your emails!!

Sunday, April 10, 2011

Macrame Fringes

I have been asked to tell you a bit about Italian Macramé Fringes for things like towels, placemats, tablecloths and other household furnishings. North Americans tend to think nostalgically to the 1970s and hemp macraméd plant holders and the like but in Italy, Macramé is still very much alive in the textile arts and in use frequently.

I showed you some summer Macramé purses that I saw in a shop window in Cesena and we talked about tassels and Macramé here and here.

What I saw most often in Italy however were Macramé Fringes of both the simpliest and the most elaborate combinations, all making the finishing touch on very attractive pieces.

In the Collezioni Comunali d’Arte Museum in Bologna there are several exquisite Macramé Fringe samples.



Here are a couple of my photos which turned out, there were many others but alas, my photographs are terrible! These Macramé Fringes are very small and delicate.

Here is an example of Macramé Fringe from the Poldi Pezzoli Museum in Milan:


An excellent book on Macramé Fringes with text in Italian and English is Macramé in Toscana by Cristina Notore:


It has many clear colour diagrams and lots of full colour photos of magnificent Macramé Fringes.

Macramé Fringes are worked on pillows, held either in the lap or on a tabletop, covered in striped or gingham fabric to be used to keep the knots lined up all the way across and evenly spaced. Large-headed pins keep the work securely fastened to the pillow. Materials used can be the warp threads of the actual furnishing you are making the Macramé Fringe for, Pearl Cotton, Cotone Povero or just about anything you like. A crochet hook helps with the pulling through of threads.

Here Liliana Babbi Cappelletti demonstrates on a Macramé pillow made of upholstery foam of her own design:


Special thanks to Stefania for the photo from the Poldi Pezzoli Museum!