Showing posts with label Italian Needlecrafts. Show all posts
Showing posts with label Italian Needlecrafts. Show all posts

Monday, December 5, 2011

Italian Needlecrafts Closing

It is with great sadness that I tell you that the Italian embroidery supplies website Italian Needlecrafts will be closing at the end of December (last day to place an order will be December 27th.
:-(

For me this is terrible news. Elena has tirelessly provided me with exceptional service. All those lovely Italian linens and threads, the books, the patterns... well, I'm very sad. If I could figure out how to change the blog to all black, I would do it.


Sunday, May 22, 2011

Borders of Aemilia Ars

The long awaited Bordi [Borders] of the Quaderni di Aemilia Ars series is out!


78 pages of clear instructions on how to make this breathtakingly beautiful needle lace.

Once again the pupils of the Aemilia Ars master Antonilla Cantelli have worked hard to bring you step-by-step instructions. This book is in the same format as their previous publication Fiori [Flowers], this time they present numerous borders, edgings and inserts with large clear colour photos.

If you are a regular reader of this blog you will know that I have spoken often and lovingly of Aemilia Ars needle lace. It is truly a jewel in the crown of needlearts.

The ladies of the Association I Merletti di Antonilla Cantelli also had a booth at the Italia Invita Forum in Parma this year and it was full of exquisite pieces of Aemilia Ars needle lace, both new and old (click on the underlined text for some pictures).

I was the lucky recipient of this needle lace flower which is absolutely perfectly made and attached to some wire so that you can hook it around a button:


While in Bologna, I couldn't miss the opportunity to revisit the Collezioni Comunali d’Arte museum and the only continuous exhibit of Aemilia Ars needle lace that I know of.


Can you see the snails? Ah well, more about that later...

If you're interested in the book on Aemilia Ars needle lace borders or even the one on flowers, check out the online needlework store Tombolo Disegni.

As always, many thanks to Elisabetta for the photo from the museum in Bologna!

Wednesday, February 2, 2011

Veronese Crochet Lace - Il Pizzo di Verona

I can finally tell you some exciting news!

If you've been wondering why it's been so quiet on my blog lately, part of the reason is that I've been translating a fascinating text on a nearly-forgotten Italian needlework technique from the early 20th century called Il Pizzo di Verona or Veronese Crochet Lace.


The book will be published in about a month or so and presented at Palazzo Forti in Verona on March 12, 2011 at 11 am. I greatly envy you if you can go!

Bianca Rosa Bellomo will present the book during a lecture about historical events in Verona in the late 19th and early 20th centuries and how they impacted the creator of this lace, Laudomia Spazzi-Gonevino and her family. She will no doubt fascinate you with the story of how the authors of this new book (Anna Castagnetti, Donatella Granzarolo and Bianca Rosa Bellomo herself) researched this technique and it's creator and her family, starting from two all-but-forgotten booklets published in the early 20th century edited by Amelia Brizzi Ramazzotti for the Sonzogno publishing house in Milan.

Also from March 8th - 12th there will be free demonstrations of how to make this exquisite crochet and needle lace during the show Verona Tessile: "Le vie della seta si incontrano a Verona" [Verona Textile Show: The silk roads meet in Verona"].

March 8th is also International Women's Day which is widely celebrated in Italy so it is fitting that there be a celebration of a woman's life at this time.

This new book has some historical information as well as step-by-step instructions and photos for creating this beautiful crochet and needle lace, the text is in Italian and English. It is published by the NuovaS1 publishing house in Italy and I have no doubt that Elena at Italian Needlecrafts will have it for sale as soon as it becomes available. I can't wait to get my hands on a copy!

Monday, November 29, 2010

New Book on Italian Tassels

Rosalba Pepi and Maria Rita Faleri with Thessy Schoenholzer Nichols have just released their latest publication on Italian Tassels! It is a book called Nappe, forme di ornamento tessile [Tassels, forms of textile ornament].
(I've already sent my letter to Santa!)


The text is in both Italian and English.

You can go here to look at a few of the pages and see how the book is laid out (click on the picture of the cover to get started, then click the bottom right-hand corner to flip the pages).

There is a history section with photos of ancient tassels, you can zoom in and read some of it by clicking on the pages.

Then there are instructions and diagrams for making 30 different tassels.

For those in Italy, you can order the book directly from the website here, payment is by money transfer.

For those of us outside of Italy, Elena is carrying it on her website Italian Needlecrafts and she accepts PayPal (there are also a couple of different pages to look at there).

Wednesday, November 10, 2010

Parma Embroidery

I really like textured needlework and Parma Embroidery is a very textured technique. The principle stitch is a composition of three parallel rows of Chain Stitches with two rows of Buttonhole Stitches worked over the first and second and second and third Chain Stitch rows with the festoons resting against each other down the middle of the band.

Sound complicated? It's not.


As with any technique however, practice improves stitch tension and curves can be a bit tricky – you will need to compensate in your Chain Stitch rows.

Here are some photos of works from Emporium Magazine, 1926, Vol. LXIII No. 374. Both are cushions:



The Patronato dei Lavori Femminili Parmensi (the Society of Parmese Feminine Works) was formed in the early 1920s providing a means of support for the women of Parma through needlework. Under the direction of Bianca Bonfigli Bignotti, the women were set to work embroidering Romanesque designs from local cathedrals, baptisteries, ornate doorways and sculpted friezes.

They chose heavy, natural or undyed linen fabric and natural cotton floche thread and went about "sculpting with the needle". The stitches chosen to best imitate the relief effect of the motifs are attributed to the talents of Irma Lanza Balestrieri.

In 1925 the Society produced a book which was revised and reprinted in 1926 called: Motivi Ornamentali dei Nostri Monumenti Studiati per L'Applicazione al Ricamo (Ornamental Motifs of Our Monuments Studied for the Application of Embroidery).

Parma Embroidery earned a Silver Medallion in Florence in 1925 and a Gold Medallion at the Mostra dell'Artiginato e delle Piccole Industrie di Firenze (Artisan and Small Industries Exhibition of Florence) in 1926.

All traces of the Society are lost after the Second World War but Parma Embroidery is mentioned in needlework manuals produced in the second half of the 20th century. You can even see something in English in the Anchor Manual of Needlework reprinted by Interweave Press in 1990.

Thanks to the extensive research of Manuela Soldi, in 2009 the second edition of Motivi Ornamentali dei Nostri Monumenti Studiati per L'Applicazione al Ricamo was reprinted with a well-documented introduction, some pictorial images from other Italian publications of the epoch and even some technical instructions done by Liliana Babbi Cappelletti. You can get this publication from Elena at Italian Needlecrafts.

Yvette has posted a great picture on her blog of how your curves can look, once you have mastered this stitch!

Monday, November 8, 2010

Sicilian Drawn Thread Work - II

Today a lovely little surprise came in the mail, a little coaster of Sicilian Drawn Thread Work '700. It's done on super-fine linen with what appears to be Pearl Cotton thread. The netted ground is made by withdrawing both warp and weft threads and wrapping the bars. The designs are executed in a Darning Stitch. The piece measures 4.25 inches squared.


Sicilian Drawn Thread Work dates back to the late 14th century and today falls into three main categories: '400, '500 and '700.

'400: designs are executed in the Linen Stitch on a netted ground described above.

Here is an example of the Linen Stitch that I showed you in a previous post. Note: this is Filet work and NOT Sicilian Drawn Thread work - the netting shown here is knotted and inserted. Sicilian Drawn Thread Work '400 is executed on a netting ground made from the ground fabric and uses the Linen Stitch for the motifs.



'500: designs are executed by constructing the netted ground around motifs formed by cutting away the ground fabric and then outlining them in overcasting. This is a piece of '500 that I talked to you about in a previous post:


('500 can also be reversed by executing the overcasting around a voided design area.) Here is a little example I did at the Italia Invita Workshop by Giovanna Gurrieri in 2007:


'700: motifs are darned onto a netted ground, described above (my little coaster would be an example of '700).

There were also two other categories of Sicilian Drawn Thread Work, the '800 and '500 Vittoria but I'm told that these types have all but disappeared.

The Anchor Manual of Needlework has a little section on Sicilian Drawn Thread Work but there is not much in the way of books on the subject. If you're lucky enough on Ebay and can afford the crazy prices, you might look for Lo Sfilato Sardo e Siciliano by Amelia Brizzi Ramazzotti published in the early 1920s. An excellent didactic booklet for making the netting from the ground fabric is: La Rete A Sfilato Eseguita Su Tessuto by Liliana Babbi Cappelletti. I don't see the English version on Elena's website Italian Needlecrafts, but you may want to write to her, or if the English version is out of print, then the Italian Version can be found at Tombolo Disegni (click on Libri/Books, then Libri/Ricamo, then Ricamo Italiani and send an email request to order - it's no. 6 in a listing inside a box with no photos near the bottom of the page).

Annalisa has posted a great tutorial on her blog of how to get started by making your basic netting ground. She will continue with a later tutorial of how to do the stitching of the motifs. She has kindly posted my English translations under the Italian.

Monday, October 25, 2010

Punto Perugino - New Book

I love when things are waiting in the mail for me when I get home!


I told you about Punto Perugino or Perugian Embroidery in a previous post. This new book has a variety of patterns for tablerunners, table centres, placemats, curtains, cushions as well as some ideas for smaller items like bookmarks and scissor fobs.

As well as covering the Satin Stitch designs, there are a few other Counted Thread work borders and patterns all with step-by-step photos and graphed patterns. How to treat a mitred corner is also covered. A wonderful Drawn Thread work pattern is explained and there are several ideas of how it may be applied to different projects. The text is in Italian.

There are photos of some of the author's other embroidery works including an exquisite Macramé fringe and delicious Aemilia Ars needle lace though these projects are not explained in the text.

All diagrams and patterns are very clear and easy to understand without a need for knowledge of the Italian language. Everything is in full colour.

Elena at Italian Needlecrafts has this book available for purchase and you can see some of the inside pages that she has scanned to show you.

Tuesday, September 14, 2010

Places to buy needlework supplies

I'm back from the EGA National Seminar and I want to first post the links of websites that I like to buy Italian needlework supplies from as I promised my fellow classmates in Vima deMarchi Micheli's Notebook of Italian Embroidery class.

The following are two websites that I have ordered from many times and which also take PayPal as a method of payment which is so much easier for overseas customers than a money order.

Italian Needlecrafts - Elena speaks English well and goes the extra mile to make sure everything goes smoothly. Her website is in English, you can order through a secure socket and she will confirm shipping costs by email. She is based right in the city of Milan and so her deliveries do not take long to arrive. Elena is open to requests, if you are looking for something in particular, ask if she can get it for you. Her website is constantly growing and it is advisable to check back often as she is always adding new things. She carries books, patterns, fabric, threads and some kits and she is scanning lots of early 20th century Italian needlework books from her collection and making them available as free downloads. She also weaves in her spare time and you can buy her creations from her website or her Etsy page and follow what she's doing on her blog.

Tombolo Disegni - Gianfranca has a bricks and mortar shop in Grado which is a small island in the north-eastern part of Italy between Venice and Trieste. She is an accomplished bobbin lacemaker. Her shop is loaded with lots of things for all types of needlework. Her website is in Italian and you will have to send her an email with a list of the things you would like to purchase so she can then send you a PayPal request. She travels to many fairs and shows so sometimes she may not be able to answer your request right away and shipping takes a little longer as she is not on the mainland.

A note about ordering from Italy:
Italy has it's own culture and it is important to remember that you are not ordering from a country which is similar to your own. Most often, needlework is a hobby not a job and therefore it takes second place to family and work. What I'm saying is try to be patient as responses are not always immediate. The Italian postal service is notorious for doing the most inconvenient things. These two websites in particular do their best to serve their customers but if there is a glitch, most often it is not something they have any control over like the mail service or ordering from suppliers.

If you are searching for something that you don't find on either of these two websites, post a comment and I'll let you know if I know of any other websites where you might be able to purchase what you're looking for.

I have a lot of catching up to do with emails and translations, it may be a few days before I can start posting again but don't give up hope, I have lots to share with you!

Wednesday, August 25, 2010

Links of Interest

I'm leaving on vacation on Friday and finding it very difficult to get everything done before I go. Please forgive me if I just give you a series of links to explore!

This is Elena of Italian Needlecrafts' blog, she weaves and likes textile history too!
http://rossiele.blogspot.com/

This is Renata's Blog full of lots of lovely pictures of her stitching and even a tutorial on some Sardinian needlework:
http://ricamoealtro.blogspot.com/

This is Elisabetta's blog which has all kinds of great pictures of the stitching she and her friends do for charity:
http://elisaricamo.blogspot.com/

This is Laura's blog where you can find lots of tutorials for hemstitches and other embroidery stitches (look on the left under the headings: Sfilature and punti base):
http://neofita.splinder.com/

This is another Elisabetta's blog - her stitching is exquisite!
http://elisabettaricami.blogspot.com/

Anna's website full of her amazing threadpaintings:
http://www.annavigo.it/imieilavori.htm

Stella's website on Palestrina Embroidery - get something to drink and enjoy!
http://xoomer.virgilio.it/stellachiap/

Sorry, I'm still too new to blogging to figure out how to make these links "clickable" - copy and paste them into your web browser.

Friday, August 20, 2010

Openwork Embroidery - Italian Style

It's here! It's here! I can finally talk to you about the latest book that I helped with!

Ricami a Fili Tesi - Openwork Embroidery by Anna Castagnetti of Verona, Italy:


Late this past spring Anna contacted me and asked if I would do her the favour of correcting her English on a book she was writing. Of course I agreed! I have had the great fortune to see Anna's needlework many times in the Italian needlework magazines RAKAM and Ricamo Italiano and also at her house in Verona.

Anna likes to fill voided spaces in her embroidery with needle laces stitches from techniques like Hedebo, Reticello, Teneriffe, Aemilia Ars and other needle lace techniques.

This book is filled with a great many step-by-step instructional photos and Anna includes little tips and tricks for achieving better results along the way. There are four different projects, each with a variety of different filling stitches all explained in great detail. Included also are photos of some of Anna's embroideries executed in this technique. There is something here for everyone, from elegant designs to cute ones like the Tortoise on the cover. Text is in both Italian and English.

You can read more about Anna and her needlework activities here and here.

For an extensive book review, go here.

The book is available from Elena at Italian Needlecrafts.

Thursday, August 19, 2010

Lacemaking with coloured threads

I was reading Mary Corbet's Needle n Thread blog about different types of threads which led me to remember that I was going to tell you about some different Italian threads but in the meantime I've been discussing needle lace making with coloured threads with Silvia of Dentelles d'abord. I see she's posted her lovely needle lace brooch done in coloured thread with a great how-to series of pictures so even if you don't understand Italian, you should be able figure out how you can make her covered buttons. While you're there, you should check out the rest of her blog, she's got some lovely pictures of needle laces.


Anyway... I wanted to tell you about Seta Reale by Coats Cucirini which does not seem to be part of the North American lineup of threads. I got mine from Italy though a Google search turns it up on the Coats UK website. (My spools came from Italy but were made in Hungary). I think maybe Silvia made her Sun needle lace piece with this thread but I haven't remembered to ask her... perhaps she'll comment here below.

If I understand correctly, this thread comes in two weights: 30 (which is the kind I have) and 100 which is extra fine. Available in 128 and 59 colours respectively means you can have all kind of fun! The UK website has a downloadable colour shade card.

If you've ever seen any of Lucia Costantini's laces, you'll know that coloured lace can be just as breathtaking as white lace.

I tried some pulled stitches and satin stitches (as I am no lacemaker!) with it and it glides through the fabric so smoothly and its so shiny!

I also tried some Antwerp (Punto Chiaro) stitches which look rather pretty - if only my stitching had better tension - I think it could be fun to stitch anything with this thread...

...I'd also like to try the finer weight... I'd like to have all the colours... Oh, I'm in trouble now!

I know Italian Needlecrafts has some of the 30 weight but I see that Elena hasn't had the time to put them up yet on her website, send her an email if you want to try some and let me know what you think!

Wednesday, August 18, 2010

Broccatello Embroidery

Broccatello fabric is very much like Brocade fabric but a little lighter. Large patterns are woven in such a way as to be raised from the background. It can be used in religious vestments or overclothing like jackets and is more commonly today used in furnishings and upholstery.

The centre strip of a 15th-16th century Tuscan chasuable here gives you little bit of an idea of what I mean (click on the picture for a little larger photo). There are also some photos here of Broccatello fabric which is still made today at Ars Regia in Ferrara. Two beautiful Broccatellos woven in Venice at Luigi Bevilacqua can be found by clicking on the word "Catalogue", then "Broccatelles". The best close up I could find is here at the Antico Setificio Fiorentino in Florence.

Punto Broccatello or Bokara Couching is a form of Italian needlework which imitates the effect of Broccatello fabric. In the central rose window design here, you can get an idea of the effect Punto Broccatello imitates, though that photo is of a woven piece. While Bokhara Couching has origins in the Orient, it is probable that it came to Italy through Sicily with traders from the East or Morocco.

Nuova Enciclopedia dei Lavori Femminili by Mani di Fata describes Punto Broccatello as being suited for fabrics such as Organdis and Linen but also for heavy fabrics. The stitch can be executed either in horizontal or vertical lines and is a self-couching stitch with the couching stitches slightly diagonal. The Manuale del Cucito e del Ricamo by Cucirini Cantoni Coats says not to follow the outlines of the design but to fill spaces with rows on the straight of the grain with a distance of two or three ground threads between rows, depending on the density of the weave.


I have two Mani di Fata pattern books for Punto Broccatello. One is just iron-on transfers which indicate where you should place your lines of stitches and the other one is from the 1950s with some photos of stitched pieces as well as traceable designs. I really like it executed on coloured fabric with white thread as shown here. While in Italy last year I saw a lovely pastel green tea service tablecloth from the 1950s which this reminds me of.

I love this purse but unfortunately it is the only pattern that is cut out of the 1950s book that I have:


This is how the patterns are drawn, this one is for a towel border:


You should be able to get Mani di Fata Broccatello iron-on transfers from Italian Needlecrafts, though you may have to ask Elena if she can still get them, I didn't see any on the Mani di Fata website – I only got my iron-on pattern book (Disegni Decalcabili - Motivi a P. Broccatello no. 159) a couple of years ago but it could have gone out of print. I believe my copy came from one of the Canetta stores in Milan.

Saturday, August 14, 2010

La Sirena - The Siren

Besides monsters, I love finding Mermaids and/or Sirens in embroidery and lace. I can't tell you why and you could even say that the Siren is a type of sea monster.

From Giovanni Ostaus' La Vera Perfezione del Disegno per Punti e Ricami (1561):


They are always wicked in the old tales and it was probably not until Hans Christian Andersen that there was a sympathetic tale of these creatures - don't quote me, I'm not up on my Mermaid/Siren history. The Greeks didn't even associate them with the sea but the Romans did and since we're talking about Italy, let's go with the Romans! You do need to know however that Sirens get some bird-like history from the Greeks so sometimes they are depicted with wings. Enough background – on to the Sirens in needlework!

From Cesare Vecellio's Corona delle nobili e virtuose donne (1592):


Years ago when searching for Italian patterns, I came across the Coraggio Sampler by The Scarlet Letter. This sampler has all kinds of things I like including monsters and a Mermaid. I actually came across a sampler in an Italian museum with the Mermaid from this sampler on it but I didn't note it down and now I'd love to know where I saw it!! Anyone know? Please leave me a comment below!

I like the documentation that goes with the Coraggio Sampler, it has references to 16th century antique pattern books. I ordered it with all the silk threads and then decided to modify it with other antique Italian motifs I liked so it sits on the floor stand in my living room and once in awhile I sit and put in a few stitches on it. I'm afraid it has been sitting there for years.

There are several needle lace Sirens in Merletti e Ricami della Aemilia Ars (1929) including several on a round table centre on the cover which was a piece commissioned "from America", I tried to scan it but unfortunately I can't get a good scan, you'll have to take my word for it...

... there is also this Heraldic design by Arcangelo Passerotti from his Libro di Lavorieri (1591):


In the same book there is this one done in Filet lace for a tablecloth, the design is from Giovanandrea Vavassore's Esemplario di Lavori (c. 1530):


I have always liked the Siren in Elisa Ricci's Old Italian Lace (1913):


I took a crack a charting the design, what do you think? She's pretty scary!


You can download some of Elisa Ricci's books and some antique pattern books from the Online Digital Archive of Documents, or you can purchase a collection of 5 antique pattern books together in one volume from Italian Needlecrafts.

Friday, July 23, 2010

Multicoloured Tassel

When Elena at Italian Needlecrafts got some no. 5 Coats Cucirini (Anchor) multi-coloured Pearl Cotton thread I immediately wanted some (my inner thread addict reared its ugly head). I was thinking of making tassels because no. 5 Pearl Cotton is so nice for that - even better no. 3 Pearl Cotton but that has become very hard to find. I ordered 4 skeins thinking that I'd make 4 small simple tassels for the corners of a tablerunner.

I chose colour no. 1385 which is brown/gold/cream but it was a tough choice. I really wanted no. 1355 (green/yellow/blue) too.


The skeins arrived quickly and I leafed through Nappe e Pendagli by Giuseppa Federici for something simple - I love this book! I found a tassel I liked right away and went hunting for a wooden bead for the head. Some years ago there was a HUGE crafts store near here and when they closed down I bought all kinds of things that I "might use later"... so I already had several sizes of wooden beads at home. I picked a 7/8" one and made a wrap around a pencil with a single thread to get started.

The pattern called for 10 Punto Avorio stitches around the pencil. (While Punto Avorio is used in Puncetto, it is also used in several different Italian needlework techniques.)

Now, here's where I didn't think ahead. The pattern in the book was made with Cotone Povero which is an undyed cotton yarn a little thicker than kitchen string. It is almost twice the thickness of Pearl Cotton no. 5. The pattern said I wouldn't need to increase the number of Punto Avorio stitches from 10 as the thread would stretch around the wooden bead. Great! I forged ahead.

After making 10 Punto Avorio stitches around the pencil loop, I slipped the loop off the pencil and held it on top of the bead to continue. This is a little tricky to do - you need a third hand to hold it all steady, so I dropped my bead enough times to work up a sweat in frustration.

By the sixth row I was really liking how it was looking:


A couple of rows later however the stitches were really opening up and you could see the wooden bead. I decided I didn't mind it so I didn't increase the number of Punto Avorio stitches. At the bottom I just ran my thread end under the tighter fitting rows of stitches to hide it.

I got out my trusty Kreinik Custom Cord Maker and wound four lengths of thread into a cord. Knotting the cord every centimetre I managed to get about 7 or 8 little pieces like the ones here. This time I was a little better at measuring one centimetre!

The pattern called for ten tendrils with varying numbers of knotted pieces tied to them. I made a few cords, knotted them and cut them into little pieces. After attaching a few tendrils I decided that I'd better use another skein of thread for more pieces because I wasn't anywhere near having enough - my tassel looked quite sad and its head was too big.

More cording, knotting, cutting... hmmm. Not enough - another skein! Cord, knot, cut.... uh oh! I certainly was beyond my original idea of doing four simple tassels. My tassel still looked skimpy and I only had one skein of thread left. What to do? There was no going back now! I used up the rest of my last skein except a little bit for making a top loop to hang the tassel from. It was getting a bit heavy and the stitches around the wooden bead stretch quite a bit. In retrospect I think I should have increased the number of Punto Avorio stitches at least for the 7 or 8 rows around the widest part of the bead:


I really love the way it looks: nice and full. The multicoloured Pearl Cotton is perfect for making an interesting tassel. Each little piece has a knot before and after to keep it in place on the tendril length and then between some of the pieces are one, two or three knots just to give varying length. I did end up with ten tendrils. Some have only seven knotted pieces on them and some have as many as 20. Each tendril is different which creates a lovely effect!


Now (darn!) I must order more thread.
:-D
Maybe I'll get some of that other colour too...

Nappe e Pendagli
is available from Tombolo Disegni (click on Libri/Books, then Libri/Ricamo, then Ricamo Italiani - send an email request to order).

Sunday, July 4, 2010

Casalguidi Embroidery

Please read this post for more up-to-date information!

In the late 19th century and early 20th century, there were many embroidery and lace initiatives in all regions of Italy. Each region developed their own local styles and stitches, initiating schools for educating children and women. Evidence of Casalguidi Embroidery dates back to the 12th century and local antique embroideries were studied and used to inspire new motifs and styles. Like Punto Antico Embroidery which came to mean embroidery using a combination of certain types of stitches, Casalguidi Embroidery (Punto Casale) seems to be the name used to encompass typical embroideries from the area in and around Casalguidi, Italy where examples of this particular style were often found. Ancient examples were rediscovered in the Serravalle Pistoiese region between Lucca and Florence (west to east) and Pistoia and Lamporecchio (north to south).

Casalguidi Embroidery was also known as Punto Toscano and Punto Antico and uses many of the characteristic stitches which we have come to associate now with Punto Antico Embroidery like Satin Stitch, Curl Stitch, the Gigliuccio hemstitching and needle lace fillings for voided areas. At a certain point, motifs of detached Buttonhole Stitch like rosettes, three and four-leafed clover, leaves, animals (real and fantastical) and human figures began to characterize Casalguidi Embroidery. Motifs inspired by the Romanesque ornaments on the churches and other architecture of the area were added along with vines and grapes and the Bastone [stick] motif was developed, the most recognizable characteristic of Casalguidi Embroidery.

Much of the idealization of this technique is owed to Guiseppina Morelli (1875-1960) who, with the help of other women in the early 20th century developed and taught Casalguidi Embroidery to the women of the region giving them means to support themselves by making trousseaux items and household linens and furnishings like: bedspreads, curtains, cushions, tablemats, tablecloths, tablerunners and towels but also purses and small bags, holders for glasses, napkins, handkerchiefs and lingerie as well as covers for boxes and chests and even bomboniere.

The technique achieved national recognition as "one of the most beautiful in Italy" with its inclusion in the Manuale del Cucito e del Ricamo by Cucirini, Cantoni, Coats and a stand-alone manual written by Adele Della Porta in 1915. Casalguidi Embroidery was also much appreciated at the 1904 World's Fair in Milan and the Annual Exposition/Sale of Women's Work in Turin in 1914.

In the 1920s Casalguidi Embroidery was exported by Maria Maddelena de' Rossi to the U.S.

Though the school/laboratories experienced decline after the Second World War and the death of Giuseppina Morelli, the art of Casalguidi Embroidery never died out altogether.

In May of 1998 the Club del Ricamo Casale was founded and today exhibits works in national and international shows and teaches the technique. I bought this small piece from them at their booth in Rimini at the Italia Invita Forum in 2007:


If you get to Pistoia you must go to the Embroidery Museum to see pieces of Casalguidi Embroidery.

The book Storia e Arte del Ricamo, Il Punto di Casalguidi by Paolo Peri (2007) has lots of historical notes (text in Italian) and a didactic section in Italian and English on executing some motifs of Casalguidi Embroidery.

The Club del Ricamo di Casale published their own book in 2009 called Ricamo a Casalguidi which has the didactic section from Paolo Peri's book (above) and more in Italian and English. They also created an instructional booklet for Fiorella Collection which can be purchased from Italian Needlecrafts (please note that Elena is on holiday until July 15).

Please read the Casalguidi Embroidery - Follow Up post for important information regarding this post.

Thursday, June 17, 2010

Chiacchierino ad Ago - Needle Tatting

Tatting or Chiacchierino [kjak-kjer-ee-no] in Italian, is stylish, daring, has good design, harmony and beauty - in Italy of course!

I recently received the gift of a new book on Needle Tatting written by a Polish lady who has lived in Italy since 1999. Alicja Kwartnik of the Laboratorio di Techniche Artistiche [Workshop of Artistic Techniques] teaches Needle Tatting in the Val d'Arno Region of Tuscany where she lives.

Some friends of mine took her workshop at the Italia Invita 2009 Forum in Parma.


Alicja's love affair with the manual arts has lasted almost 40 years and her work is precise, imaginative and very attractive.

In the book there are many Tatting projects of varying difficulty. I love the towel edgings and these little sachets:


There are also many jewelry projects and the attachment of beads and crystals; bookmarks, coasters, table mats, key fobs, table centres, Christmas tree decorations, and even a summer purse pattern!

Alicja writes that she likes to use unusual materials for Tatting projects like raffia, string, crochet cotton and wool.

This book makes me want to hunt down my Tatting needle which I set aside in frustration many years ago.

Mani di Fata has several Italian pattern books for Tatting, occasionally there are patterns in RAKAM magazine as well.

For some eye candy, check out this website of a couple of Italian ladies from Apuglia. (I don't know if this is Needle Tatting or not.)

To purchase Chiacchierino ad Ago by Alicja Kwartnik, send an email to either Elena at Italian Needlecrafts or Gianfranca of Tombolo Disegni.

Thanks to Isabella for the photo of the Tatting workshop!

Sunday, June 6, 2010

Sansepolcro Lace Biennial Workshop

After yesterday's post about the XIV Sansepolcro International Lace Biennial I received an email from an Italian lady named Silvia in Turin. This lady attended the last Biennial in 2008 and took the workshop on Aemilia Ars needle lace taught by Carla D'Alessandro of the Association "I merletti di Antonilla Cantelli" from Bologna (for my Italian readers, there's a little article in Italian here).

Silvia tells me that the course was great and afterwards she went to view the Biennial exhibits which were located at several different locations around town. She says the town of Sansepolcro is small and very easy to get around in and that it is beautiful!

She stopped outside the Lace School to take a picture of the bronze statue dedicated to women and tradition situated just outside the doors:


Silvia also sent me photos of the projects that she did at the workshop:





Silvia loves Aemilia Ars needle lace and has taken other workshops, one of which was the workshop taught by the same Association at the Italia Invita Forum in Parma in 2009:


Thank you very much Silvia for the info and the great photos of your beautiful work!

The Association "I merletti di Antonilla Cantelli" has an excellent didactic book on flowers made in Aemilia Ars needle lace. The text is in Italian but the diagrams are very clear. You can get it from Elena at Italian Needlecrafts. Also check out the book dedicated to the Aemilia Ars master Antonilla Cantelli full of excellent photos and designs of her incredible works! (Text in Italian)

Monday, May 31, 2010

Anchor Threads

Until quite recently it seems, it has been relatively easy to find a wide range of Anchor Threads in Italy.

In 1904 J & P Coats acquired the Italian thread manufacturer Fabbriche Italianne Filati Cucirini which became Cucirini Cantoni Coats. Production was very successful and at the beginning of World War I they had 1000 employees. In 1931 Cucirini Cantoni Coats acquired Industrie Sete Cucirine and became the market leader with their brand "Tre Cerche" [three circles]. In 1993 the company name changed to Coats Cucirini. They have become quite diversified from the early days and now produce and/or distribute products for clothing, footwear and leatherwear as well as threads, zippers and every kind of craft supply and accessory. Their head office is in Milan but the thread has been manufactured just outside of Lucca for over a hundred years.

Until quite recently.

Rumours of imminent bankruptcy have dogged the company for the past few years. Last year there was some pretty strange colour changes in their pearl cotton line exclusive to Italy called: Ritorto Fiorentino, causing speculation that they were having the threads dyed in Asia. They have undergone some massive restructuring and I assume "closure of the Italian production site with delocalization of supplies" means the manufacturing plant in Lucca but don't quote me on that, I'm speculating too. I have been told by a reliable source however, that some of the thread manufacturing is now done in Hungary.

They have reduced the range of threads in Italy which is all I'm really interested in.

For needle lace there were Coton a Broder numbers like 40, 35, and 30 which were quite easily found... threads which are almost non-existent this side of the Atlantic. Now they are getting harder to find in Italy too. These threads are still listed on their website, but try to find a shop that carries them.

Even Coton a Broder number 25 has been vastly reduced in it's colour range. This weight is not that widely known in North America, but there are some stores that carry it at least in white, ecru and black. I never even knew it came in other colours until I went to Italy!

Since I'm a thread-a-holic I bought myself every colour available from Italian Needlecrafts when Elena got her Coton a Broder no. 25 stock in mid-May. They arrived today!


I had to break into them right away to show you the difference between Anchor Embroidery Floss (called Mouliné in Italian), Coton a Broder no. 25 and Ritorto Fiorentino no. 12 (which is like Anchor Pearl Cotton no. 12 - it just comes in huge hanks of 45 grams or on cones!)

The top row is Ritorto Fiorentino no. 12, the middle row is Coton a Broder no. 25 and the bottom is Embroidery Floss. The linen is Sotema 20L - 38 count (an absolute dream!! Shhhh! Let's not awaken the linen-a-holic in me!).


I did some buttonhole stitches: every two holes and then every one; stem stitches with the thread held to the left, running stitches, lazy-daisy stitches, french knots: one wrap, two wraps and three wraps, cross stitches over two and satin stitches. Remember, this is 38ct linen and this kind is quite compact. I did the scan at quite high quality, clicking on it should get you a pretty nice close up.

I thought that for this linen (my preferred count) the Coton a Broder no. 25 was the perfect weight. The Ritorto Fiorentino no. 12 was a bit tight and started to look worn really fast and the Embroidery Floss didn't give me the coverage I like. What do you think? The label says they are colour-fast.

One last thing to note. I already have a skein of Coton a Broder no. 25 - colour no. 131, which I got two years ago. The label says it's made in Italy and the company name is Coats Cucirini, Milan. The skein that arrived today says it's made in Hungary by Coats GmbH, Germany. Hmmmm. This made me check the label of the Anchor Embroidery Floss I have that I got last year from Italy... made in Germany. The Ritorto Fiorentino label says made in Italy by Coats Cucirini but I bought that in 2007.

Notice the colour difference? Its more noticeable in real life but the Italian skein is the one on the left, the colour is richer, slightly darker.


But I'm happy to get it! My daughter is out for the evening, I'm off to catalogue all those new colours!

Oh! I almost forgot... on June 18th there will be a new Punto Antico book available with English and Italian text called: Ciclamino - Oggetti a Punto Antico di Bruna Gubbini. Projects will be smaller items than before. Watch this website for more info!

Saturday, May 29, 2010

Italian Kits

One of the things I wanted most when trying to learn about Italian needlework in the beginning of my research was a kit... I thought a kit would give me a little window into all aspects of a technique. I imagined a little packet with a design, technical instructions, some Italian fabric and threads with the right needle for the embroidery.

Italian kits, if you can find them, are, for the most part, not anything like that. Most people I wrote to told me they didn't make kits. Since we're talking about 10 years ago, most people didn't have books about their specialty technique either. No one had any written instructions that they wanted to give out, even if you were willing to pay.

When I did find "kits" they consisted mostly of a blurry picture of the finished product, sometimes with a separate drawn design (rarely at actual size), a list of the stitches used and the fabrics and threads recommended (no colours were ever listed precisely either). To be fair, the kits weren't made for going outside of Italy, so it is logical that they wouldn't have details about things Italians would already know, or be able to find out relatively easily. In a time of few websites and even fewer email addresses, this was a slow and often disappointing process for me. Even when I managed to assemble all required materials I then couldn't proceed for lack of instructions.

Making things from the magazines was equally disappointing. More often than not the stitches weren't explained or only some of the project was, for example the central motif but not the hemstitching.

I discovered some essential things necessary for understanding Italian stitching instructions. No one, no one, could understand why I wanted to reproduce an exact replica of a piece. Wouldn't I like to change it a bit to personalize it? It was expected that I would want to change the size, colours, fabric, threads - even the stitches used to make the design my own. I can tell you that when you show "anglosaxon" stitching instructional books and kits to Italians they are amazed at the detail. I believe this to be a fundamental cultural difference and its an important one. I am at my most comfortable and happiest when being instructed on every step... having to make my own decisions (which could be wrong!) is scary to me and I am very reluctant especially when using expensive threads and fabrics that I went to a lot of trouble to acquire.

I bought an Italian encyclopedia of embroidery and an English one and started to compare stitches, finding that some of them were the same and just had different names. This helped a lot with things that weren't exactly "Italian" techniques.

Over time things have progressed quite a bit but we are still very far from equal. At the Italia Invita Forum in 2007, I purchased all the kits I could find at the various booths hoping to be able to work them out later at home. This is a perfect example of what I'm trying to tell you:


It's a kit I purchased at the Puncetto booth. The stitched sample was an attractive bracelet of red and blue thread. Inside an opaque little bag (not unlike a travel make-up bag) was a colour computer printout of the pattern, with the steps for creating one motif. Nothing about assembly, borders or the filling between motifs and no stitch instructions. There was a fuzzy colour printout of the stitched sample (red and blue) on one side. There were two small balls of Finca no. 12 thread in orange and green and the clasp for the finished bracelet. I don't remember what it cost but I remember thinking that it was expensive, at the same time I bought two books as well with a total cost of 50 euros. Unfortunately neither of the books had instructions either, they were just patterns. Okay, so it is my own fault that I didn't look carefully enough at what I was buying but seriously, I don't think it would have mattered. I would still have bought them all in the hopes of getting home and figuring it out. Here we are three years later and there they sit still waiting for me. Even though by now I've done some experimenting on my own and even taken a two hour lesson and had a friend patiently show me some stitches.

Other kits I bought at the Forum that year were: one that had fabric with the traced design on it, a needle and thread and a colour photo of the finished piece. No stitch instructions; One that was a colour printout of a scan of the finished piece with reference to a book written by the same author. I had the book so I wasn't worried... upon arriving home however I saw that the book had the stitches explained but the composition of the kit was no where to be found, meaning I would need to understand enough about the technique in order to assemble the motifs myself; some came with washed out photocopies of stitch instructions; I have not stitched any of them.

This is not to say that by Italian standards they are not good kits. They are excellent kits if you already know how to stitch the techniques. Every single one would be useful to someone who knew what they were doing. I guess what I learned was that Italian kits are not for beginners and they are not like the kits I am accustomed to in my "anglosaxon" world.

As I said, things are beginning to change. I have a completely amazing Italian kit for a cushion that came with a very professional booklet with all the instructions for the stitches and assembly, Italian linen fabric for the front and back, thread, needles even some tips and tricks...


You can't see in the scan here but there are even English instructions below the Italian... comprehensible English!

Just lately there has been some interest in producing Italian kits for the non-Italian needlework world. These kits, produced by Fiorella Collection, will be on Italian needlework techniques or techniques with an Italian flavour. The booklets will come in Italian, French and English to start and you'll need to specify the language you want as each booklet is produced separately. In order to make them affordable, they are instructional books without the supplies, however they will be sold online where you can order the supplies needed in most cases.

Here is one of two already available:


The booklet even has the instructions for executing the picots along the edges! This work is known as Catherine de'Medici Embroidery and it is a Counted Thread Technique. The design is by Rosalba Pepi from the Laboratorio Tessile di Alice in Castiglion Fiorentino, Italy.

They are the closest thing to what I dreamed of long ago - made by the Italian needlework schools and masters. I hope they catch on as they will be perfect for giving us a little taste of the numerous different Italian needlework techniques.

The times they are a-changin'.

You can get the two Fiorella Collection booklets already available from Elena at Italian Needlecrafts.

Saturday, May 22, 2010

Hand Towels - Drawn-Thread Work

One of the biggest differences between Italian needlework and that which we do at least here in North America is that lots of Italians still decorate household linens and use them daily. I don't know about where you are, but around here if any needlework gets done or is on display, its usually in a frame for placing on the wall.

I really love what I call 'guest towels' (probably because at my house when I was little, they were only put out if we had house guests- which was rare!) or decorative hand towels are still relatively common.

Often in Italy hand towels are done on extremely high count linen, with lots of hemstitching or whitework on them, but I've seen lots of coloured embroidery too.

A popular fabric for hand towels is a linen fabric called Crespo. It has a certain shine to it and the weaving is very compact, making a solid surface for embroidery. I bought some to do some Gigliuccio hemstitching on. When setting out to withdraw the ground threads I got worried that it would be difficult as the weave seems to criss-cross quite a bit. It turned out to be quite easy to do however and I didn't have any difficulty:


I did all the hemming on two hand towels using Ritorto Fiorentino pearl cotton no. 12 and now I search for just the right monogram to stitch on them for my daughter's trousseaux.

While in Ferrara last year I saw some beautiful drawn-thread work done on terry-cloth towels. Elisabetta Holzer Spinelli was kind enough to show me some of her beautiful and intricate work:


These towels had bands intended for embroidery on them from which she withdrew threads and embroidered over:


These are colour photographs though it might not seem so. Elisabetta's incredible sense of colour matching shows in these elegant towels.

I have many books on hemstitching as I'm a drawn-thread junkie. Mani di Fata has five booklets with easy-to-follow diagrams on hemstitching called Punti a Giorno in Italian, of varying degrees of difficulty. Though the scant instructions are in Italian, the diagrams say it all.

Maria Pia Gaiart has several books on drawn-thread work, these are well diagrammed, some in English and Italian, some only in Italian. You can get these books from Tombolo Disegni. (click on 'Books', then 'Sfilati ed Assia' - you must send an email request to order.

Liliana Babbi Cappelletti has a great new book out on intricate drawn-thread work called Sfilature Legate [Tied Drawn-Thread Work], though the text is in Italian, plans are in the works for an English edition. Her diagrams are excellent and step-by-step, you should be able to figure out the patterns with the Italian version if you can't wait for the English, email Elena at Italian Needlecrafts.

There are several tutorials on Tuttoricamo's website under the "How its Done" section.

To really test myself, one day I'll do some scalloped edging on a hand towel...