Needlework in Martina Franca, Puglia

In Martina Franca, Puglia while I was picking up some handmade pasta and local cheese to take to a friend in Ferrara I asked the shop owner if there were any handmade embroidery or lace shops in town. She told me that there was one shop with things of the 'certain quality' that I was looking for in the main square.

Simply called: Pizzi e Merletti di Nella Acquaviva [Nella Acquaviva's Laces] the shop indeed sits opposite the big fountain in Piazza Roma, no. 17. We had missed it on our way through the square because it wasn't open yet and the sign is on the inside of the big brown wooden door which covers the window when the shop is closed. We arrived breathless with excitement to find the owner of the little shop, Signora Acquaviva among a treasure trove of needlework.

Signora Acquaviva's specialty is hand-knotted netting Filet embroidery and she showed us a few sets of guest towels and curtains that she had made herself, including one towel set of pale blue linen with the most amazing padded embroidery done on ivory-coloured hand-knotted netting - it was a masterpiece!

There were also many sets of Tatted earrings done with various semi-precious stones, crystals and pearls including a lovely set with cameos made in Naples!

We discovered some exquisite Tatted sachets and Filet lace inserts which we really couldn't help ooohing and ahhhing over. The work was so fine and all done by the Signora herself.

In the shop window display was a particularly fine piece of bobbin lace done in the technique called Rosaline:

Rosaline bobbin lace in front with Filet lace on the table.

Signora Acquaviva does work on commission as well and showed us some lovely wedding favours and a breathtaking large oval Filet Lace insert ready to be attached to a floor-to-ceiling-sized curtain. If you find yourself in Martina Franca, do not miss this shop!

A huge thank you to Susan for the photos!

Traditional Needlework of Locorotondo

When travelling through the Puglia region of Italy this past fall, I was always on the lookout for examples of local needlework. One morning while we were on a guided tour of Locorotondo which is a pretty little town in the province of Bari, I spotted an embellished curtain hanging in the window of a residence:

I took a quick snapshot but didn't have any time to study it as we were on the move with our guide. I thought it seemed to be some kind of needle lace but I really didn't get a good look and I resolved to study the photo later.

We ended our tour in the main square of Locorotondo and as the guide was wrapping up I glanced around and spied a small shop with embroideries hanging in the window. As we were being told we had 10 minutes for a bathroom pitstop before we would meet our bus to go on to an olive oil tasting, I was already backing slowly away from the group in the direction of the shop. As soon as the guide finished talking I pivoted and ran. I'm sure the proprietor of the shop (who was sweeping the pavement in front of the shop) wondered at the crazy tourist bearing down on her at speed!

Breathlessly I explained that I only had 10 minutes and could she please tell me of any local tradition of needlework? She dropped the broom and we rushed inside the shop - a woman who understood me! 

She showed me a shawl made out of wool in the unusual work that I had seen on the curtain pictured above. She also explained that it was a crochet technique called Margherita Stitch and that traditionally the shawls were made for wearing to church but that the technique had been adapted lately for different things like table runners, ornaments, earrings, wedding and other celebration favours, borders for curtains, towels, handkerchiefs and Christmas tree ornaments using different threads like embroidery and crochet cotton, silks and linen threads. 

I picked a small doily to take away with me and as she was ringing me up, the other ladies from my tour arrived breathlessly as they had discovered the textile museum next door and were looking for me because they knew I'd want to see it. Alas, our 10 minutes were up and I did not get to see the museum but I was told that there were some amazing pieces to see in the windows alone.

Signora Spalluto was lovely to come outside the shop and pose for a photo, if you look in the background you can see some ornaments and an amazing tablecloth done in Filet Lace hanging from the ceiling:

Signora Spalluto was able to tell me that she teaches embroidery and has a group of stitchers who make items for the shop and work on commission for trousseaux, weddings, christenings and the like. Her group is well versed in traditional embroidery, tatting, crochet, filet lace and many other techniques as well as the restoration and cleaning of antique pieces.

She has a website which has pages in English as well as Italian where you can look through the galleries of photos of works done in Margherita Stitch as well as other techniques.

We were sorry to leave without taking a good look at what was in the shop, but you can bet if any of us is ever in Locorotondo again, we will be back to the shop and explore the museum right away! I'd love to hear from you if you've been through the museum.

Thanks to Susan for taking the photo of the front of the shop!

Needlework course in Florence with Adriana Armanni

When I was thinking about planning my last trip to Italy which included going on one of Vima deMarchi Micheli's Italia Mia tours, Vima asked me if I'd be interested in taking an embroidery course in Florence at the end of the tour. I said yes without thought to the teacher or the technique, knowing that it would be an experience that I wouldn't want to miss regardless of subject matter.

It's always great to discover that you've made the right decision by going with your instincts. Our course was three afternoons with all materials included, held in the delightful Residence La Contessina where we were staying. Our teacher was the very talented Adriana Armanni of the needlework school Arti e Pensieri® in Florence. (There is a lovely article about her here (in Italian) from 2003.)

Cover of course material.

The technique was Florentine Whitework mounted on a frame inspired by a Rovescia which traditionally was the "pretend" fold-back part of the top sheet of the matrimonial bed. This was used to "dress-up" the matrimonial bed for when visitors came to call and was removed before going to sleep. I didn't get a clear photo of the whole piece but you can get an idea of the embroidery from the course booklet cover pictured above (click on the photo for a closer look).

Antique Rovescia found in a local flea market.

Adriana modelled this course on an antique Rovescia that she found in a local flea market. She also had matching pillow cases which were traditionally part of the set. The work was stunning and so delicate! Not willing to burn a thread from her pieces in order to understand what kind of fabric it was, Adriana said that it was either very fine Cambric linen or cotton or very fine Batiste linen and in fact, it was very, very sheer. The sheerness of the fabric is essential to the work as the embroidery is designed to use a combination of stitches to achieve an overall balance of chiaroscuro effect.

The Rovescia was traditionally embroidered with sayings like this one, Felici Sonni = Sweet Dreams. Classic embroidery stitches are used like padded satin stitch, shadow work, French knots, stem stitch, long and short stitch and pulled and/or drawn thread stitches. It is important that the fabric be stretched on an embroidery frame in order to achieve an "embossed" effect which would be impossible if the work were done in hand. Good lighting and magnification are essential as the work is very fine.

Adriana instructs our "non-embroiderer".

Our own project was not executed with materials as fine as the original but we were still able to achieve the look with the threads and fabrics that Adriana had chosen for us. There was one lady in our course who was not an embroiderer and she was able to produce some lovely results.

The huge embroidery frames we worked on.

Adriana was able to provide the non-Italian speaking pupils with a booklet in English and provide assistance and instruction in English as well. She not only taught us the practical needlework execution but also the principals and science of the choice of stitches to be used when choosing what to fill the motifs with. This made me immediately think of my blog readers who have asked me where they can take a needlework course taught in English in Italy. Adriana is well-versed in all kinds of needlework techniques and you could contact her to choose one for yourself on your next trip to Florence. I found her to be a patient and well-explained teacher, she was full of tips and tricks that you only really learn from experience. Since she also does commissioned work as well as teaching needlework, you know that she is very good at what she does.

Detail of model piece.

Detail of model piece.

Detail of model piece.

When I asked Adriana if she would mind if I wrote a post about our class and published my photos she said that she would be more than happy. She believes that needlework will only be kept alive by sharing knowledge. This is truly an important attitude and one that you don't always find amongst needlework teachers in Italy, many prefer to jealously guard their secrets.

At the end of our three days we had covered quite a lot of stitches and Adriana then unmounted and cut up the fabric so that we could each have enough to make a pillowcase of our work completed at home.

Fabric and thread shops in Rome

I spent seven glorious days in Rome the first week of this past October with friends who live on the outskirts of the city. The first day after arriving from the airport, we headed out to celebrate our visit with a gelato. That was it, no big plans, it was late afternoon and I'd been up some 24 hours or more.

To get to the gelateria, you must pass a merceria which is a shop which carries embroidery threads, fabrics, buttons, ribbons, sewing notions and the like. We decided to stop in just for a minute...

I swear I only wanted to get the no. 30 coton a broder thread!
But then there was a table with discontinued Anchor threads on sale. I couldn't let that silk just sit there, or the pearl cotton either. After we had rung up the purchase, the clerk told us that he also had discontinued colours of Anchor coton a broder no. 25 on sale too...

... so we had to go back the next day. Luckily I had my iPod with my list of what I already have at home, even though in the end if I'd taken one of everything I would have only ended up with a couple of duplicates. Needless to say, we had a delightful time going through all the drawers filled with threads.

This merceria as I said is on the outskirts of Rome but in the case that you might be nearby on one of your travels to Italy, the store is in Via Millesimo no. 53 in the suburb called Torrevecchia.

A couple of days later we headed into the centre of Rome to see some newly restored silk and gold embroidered vestments at the Church of St. Francis a Ripa Grande. Along the way from the bus stop in Piazza Venezia to where we took the street car to Trastevere, we walked through the section of town where there are some textile-related stores.

Paganini Fabric Store, Via Botteghe Oscure, no. 50, Rome.

We stopped in at the Paganini fabric store which is a huge place with 14 window displays. They have been around since 1948 and carry all kinds of fabrics and rugs. You can see some photos of the inside of the store here.

I bought some "cencio della nonna" which is a linen gauze (11 threads per centimetre) for backing Trapunto. You can see it on the back of Silvana Vannini's Trapunto project here.

From there we headed to the Merceria Alfis in Largo Ginnasi no. 6 where (among the threads and other textile things) they have a large selection of buttons.

Check out my previous post for more shops in Rome. Do you have a favorite textile-related store in Rome? Leave a comment below!

Interesting Embroidery Exhibit in Ferrara

Click on the image for a closer look.

Starting on November 23rd (this Saturday!) and running until December 1st there will be a very interesting exhibition at the Casa di Stella Dell'Assassino in Via Cammello no. 15 in Ferrara.

Embroidery and the sciences in the hands is a literal translation of the title of this show which will consist of embroidery and lace exhibits, lectures and workshops. The aim of this show is to break down the common stereotypical thinking that embroidery is strictly a woman's activity and, more specifically, that it is only for housewives and homemakers.

I'm translating a bit from the pamphlet that I received:

The events of this show will be all about embroidery: it's anthropological, historical, political and cultural significance across the centuries. Originally this ancient art was exclusively done by men before passing into the hands of women to whom it owes its evolution of styles, techniques, approaches and meanings. Embroidery is intertwined with architecture, painting, sculpture, the human sciences but also geometry, algebra, mathematics, spaces and numbers. These aspects are always neglected and only unconsciously intuitive but they are the basis for embroidery and its perfection. 

This will be an important exhibition of ancient and contemporary embroidery with alternating technical demonstrations by the participating embroidery schools and a series of lectures in support of knowledge relating to the world of embroidery. It is an invitation to schools, citizens, experts, scholars and the curious.

I think it sounds fascinating! I really wish I could be there.

Below is an image of the program schedule in Italian but I'm translating a bit of it just so my English-speaking readers can understand the depth that this show is undertaking. I've never heard of an event like this one. If you go, I'd love to hear from you!

Sat. 23 Nov.:

- Inauguration of the event.
- Lecture: Can the art of embroidery create innovation and work?
- Lecture: The origins of Estense Embroidery.
- Lecture: Aemilia Ars needle lace and the designer with Ferrarese origins: Parisina Schincaglia. The numbers, the geometry, the embroidery.
- The participating embroidery schools present the objects exhibited.

Sun. 24 Nov.:

- Embroidery workshop and presentation of the materials exhibited.

Mon. 25 Nov.:

- Embroidery workshop.
- Lecture: The embroidery book bibliography of the Bassani Library. The research for the books and the catalogue.

Tue. 26 Nov.:

- Embroidery workshop.
- Lecture: The art of painting and that of embroidery. Together.

Wed. 27 Nov.:

- Embroidery workshop.

Thu. 28 Nov.:

- Embroidery workshop.
- Lecture: Memories of the embroidery school of Sacro Cuore in Via Borgo di Sotto [Ferrara].

Fri. 29 Nov.:

- Embroidery workshop.
- Lecture: The Estense tapestry weaving mill.

- Burraco Tournament

Sat. 30 Nov.:

- Embroidery workshop.

- Screening of a short film: "Lovers with no luck"(1949) directed by Florestano Vancini and Adolfo Baruffi.
- Lecture: Stories of Lovers: Nicolò III d'Este & Stella Dell'Assassino and Ugo & Parisina.

Sun. 1 Dec.:

- Embroidery workshop and presentation of the materials exhibited.

Click on the image for a closer look.

Ordering Update for Aemilia Ars DVDs

Screen shot from the trailer.

 

Screen shot from the trailer.

Screen shot from the trailer.

I have an update on purchasing the Aemilia Ars needle lace DVDs that I told you about the other day!

The publisher Nuova S1 has told me that he can accept PayPal as a method of payment and that the shipping costs are 22,00 euros which is about $30.00 USD. This is for tracked packages. It seems the shipping costs are the same for one or two DVDs.  Send an email to order.

I'd love to hear from you regarding how it goes and what you think of the DVDs!

Embroidery Museum in Pistoia

I always start out thinking that my next trip to Italy will be all long, relaxing days doing research or studying museum collections. I don't know why I think this as the trips always fly by and are full of frenzied trips to see as many people as possible. I always end up not being able to do all the things I wanted to and offending people that I am unable to visit. When I get back home I try to make sense of all the hurried snatches of things I've seen and done and resolve that the next trip will not be so jam-packed. I do however get things done and this trip I got to go to three museums that I've wanted to visit for a long time. One was the Museo di Tessuto in Prato, another was the Museo della Tappezzeria in Bologna and the one I'm going to tell you about today was the Museo del Ricamo in Pistoia.

An easy train ride from Florence, you can arrive in Pistoia in about 45 minutes, I'm not sure if you can take a bus in less time, I took the regional train which makes a few stops along the way but Pistoia is only 40 km from Florence. I was lucky to have Maria Elide Melani from the embroidery school Ago Aga e Fantasia waiting to pick me up from the station in her car. I'm sure there is a bus that can take you into the centre of town from the rail station. We did not head directly to the museum from the station as it was too early so I can't tell you how long it takes to get there but Pistoia is a relatively small town.

As the Embroidery Museum is run by volunteers, it's wise to double-check that they are open before making the trip. We arrived expecting there to be a lady that Maria Elide knew but instead her husband was taking her shift as she had had to attend to other business. The museum has a large collection of pieces and consequently they are always rotating the items on display. Maria Elide has been there many times but the day we went, she said there were pieces displayed that she had never seen before. This makes repeat visits interesting.

The first thing I noticed was that the placards were in English and Italian and that the English was good! Whoever is doing translations for the museum has done an excellent job.

Image copyright Museo del Ricamo

While the Embroidery Museum is indeed small (there are only two exhibition rooms), there is a valuable collection housed here and you could spend many days studying the excellently displayed and well-lit pieces. In the second room are two large storage cabinets filled with drawers full of embroidered things. Lots of Punto Antico, Casalguidi and even some Lamporecchio embroideries along with many other Italian and classic needlework techniques are to be found here along with gold and silk embroideries too. The elderly custodian showed us an amazing bedspread embroidered by his mother when she was young.

An exciting thing to find out was that the museum offers a research centre, documentation, didactic and historic study. I will definitely be going back!

You can watch a quick YouTube video which is narrated in Italian but which has a few photos of the interior of the museum and a few pieces of it's collection. The narrator says:

Passing through Pistoia, when you are in the Piazza del Duomo, don't miss visiting the museum, you will be amazed. Even in a few minutes you can see the most important finds. The entrance is free, the personnel are available, cordial and competent.

The Rospigliosi Palazzo is the home of the Embroidery Museum, a cave of wonders constructed with knowledge by patient hands. Exhibited here are hand-made articles embroidered in many techniques from the 17th to the 20th century. There are embroidered trousseaux, clothing, tablecloths, doilies and much more. Sacred vestments and antique ecclesiastical clothing of great quality are on display.

Periodically the museum gives embroidery courses. The embroideresses have produced and continue to produce cushions, purses and antique clothing. A 62 segment quilt was made in 2012. Francesco del Cossa's embroideresses.

In the hope that these few hurried images may have stimulated your interest, we await you certain to not disappoint.