Errata - Punt'e Nù article in EGA's Needlearts Magazine

In 2011 I wrote a thesis for the EGA's Legacy Scholarship Program on Sardinian needlework with emphasis on two techniques specific to the area in and around Teulada. The edited thesis and projects became a two-part article series for EGA's Needlearts Magazine this year with the first part including a Punt'a Brodu project in the June 2013 issue and the second part including a project in Punt'e nù in the September 2013 issue.

Due to some unfortunate electronic difficulties the Punt'e nù project in the September 2013 issue has a couple of errors.

• On page 14 the materials list should have 3 1/2" x 9 5/8" for the piece of organza.

• On page 19 the photo J is incorrect and the text at the top of the page explaining how to end the thread at the end of the work is incorrect.

To end the thread when ending the work, take the needle through to the backside in the nearest ground fabric hole and slide the needle under 3 or 4 knots on the backside of the work (use a sharp needle to make this easier) to secure the end and trim the thread. (This is different than ending the thread when changing to a new thread and continuing on with the work. In this case both thread ends are secured under the newest first 3 or 4 knots with the new thread, pulling tightly to secure them and carefully trimming the tails of both the old and the new threads. Pay careful attention not to snip the working thread which will continue on.)

• On page 20 the piece of organza (3 1/2" x 9 5/8") is folded in half to make a 3 1/2" x 4 13/16" bag.

I am sorry for any inconvenience this has caused anyone attempting the Punt'e nù project. Please contact me if you need any further clarification.

Sardinian Needlework - Puntu Vanu, Punt'e Nù and Punt'a Brodu

Summer always has me thinking of learning something new and I usually decide to tackle a technique that I haven't tried yet. This summer though I am thinking of getting to know some techniques a little better instead of taking on a new one.

Lots of Italians head to Sardinia for their summer holidays and since I can't do that, I've been revisiting some of their needlework techniques in the unusually sunny weather we are having at home. There is nothing better than sunlight for visibility when stitching so I've been out on my deck under my own ombrellone.

In the spring of 2011 I visited Sardinia and spent some time getting to know a few Sardinian needlework techniques like Puntu Vanu, a type of smocking and two techniques that are specifically from Teulada: Punt'e Nù and Punt'a Brodu.

I'm running into all kinds of difficulties not the least of which is lack of good eyesight!

Puntu Vanu is usually executed on percale cotton fabric as it is traditionally worked into a shirt or blouse. I honestly tried to perform an evenly spaced running stitch line on a piece of percale but I couldn't see well enough to do more than a few stitches a day without hurting my eyes with the amount of magnification I needed so I switched to a piece of Sotema Batiste cotton.

Using Rosalba Lecca and Ebe Ciampalini's book, I chose a simple heart pattern and then withdrew one ground fabric thread into which I stitched my first running stitch line.

The first stitching line of my Puntu Vanu piece.

It was tough going as even the fabric count on the Batiste cotton is quite high. Eventually I figured out that if I wrapped my finger in piece of dark leather-like cloth and laid the work over it, I could see relatively well and the stitches went more quickly (the leather-like cloth was sent to me by the lovely Elizabeth Prickett for use when making Ruskin Lace. Unfortunately Elizabeth has since passed away so I cannot ask her for a supplier or even what the cloth is made of. If you really want to know, you could try contacting the webstore).

As Puntu Vanu is a kind of smocking, the strip of embroidery must be long as it will be pulled so that the fabric bunches up to form the pattern. Roughly a 36 inch strip of the Batiste of this thread count will produce a 12 inch piece of embroidery. I'll update you as I stitch more.

Photo from: Luoghi e Volti del Punto Filza

For my Punt'e Nù practise, I decided to make a bookmark using some of the colours found on the traditional Teulada man's costume. 

I took some patterns from this blog where you can also find the instructions on how to execute this embroidery. While you're there search Puntu Vanu, Punt'e Nù and Punt'a Brodu for some great photos! 

I think I'll trim my fringe down a bit more. This was made on 28ct Jubilee cotton fabric using DMC no. 8 Pearl Cotton:

Punt'e Nù stitching

And for Punt'a Brodu, I've taken part of a pattern off of a lovely vase painted by Marilena Ledda that I saw while in Sardinia in 2011:

The work of artist Marilena Ledda

I'm still trying to perfect my stitching on this pattern that I proposed for the EGA magazine Needlearts, June 2013. In the magazine, I did the pattern using embroidery floss but here I've done it using DMC no. 80 tatting thread. I still need a LOT of practise!

I hope you have enjoyed "travelling" to Sardinia with me. As far as I know there are no instructional books on Punt'e Nù or Punt'a Brodu. The instructions (which start in Febbraio 2010) for Punt'e Nù on the blog I mentioned above are quite good - give them a try! The only book I know of on Puntu Vanu is the one I mentioned above.

Punt'a Brodu - Sardinian Needlework

I have a fascination with Sardinian Artwork, especially traditional motifs which are heavily used in the different Sardinian textile arts.

Let's look at some Sardinian Whitework embroidery called Punt'a Brodu.

Punt'a Brodu can be done on any kind of compact fabric and is made up of delicate ornamental motifs which form arabesque designs. Motifs are based on animal, vegetal, religious and domestic forms. Traditionally it is used to ornament shirts and blouses for both men and women. Shirts and blouses are usually ornamented with Punt'a Brodu on the collar, cuffs and chest area. The embroidery is completed separately and is later applied to the clothing item. All decorated parts are then finished with edgings of Crochet lace.

Punt'a Brodu border taken from the Italia Invita 2005 Forum book:


Punt'a Brodu is usually combined and complimented with two other kinds of Sardinian needlework, Punt'e Nuu and Puntu Vanu. Punt'e Nuu is a knotted Counted thread technique and Puntu Vanu is similar to smocking. Both of these embroidery types will be presented in separate posts at a later date.

Finished Punt'a Brodu needlework is very textured and often the individual motifs are difficult for the untrained eye to recognize. This work is traditionally executed in white thread on white fabric, the only exception is the motif:"su caboniscu" [a cockerel] which is embroidered on the purple velvet of the male corset with silk threads in the five traditional colors: green, orange, blue, yellow and purple.

There is an excellent series of videos online to watch about this needlework. Make sure to view them in order and set the window to display 420p for higher resolution!
The first video (8 mins 17 sec).
The second video (7 mins 14 sec).
The third video (6 mins 11 sec).
If you haven't had enough there is a slide show of still pictures to watch (5 mins 8 sec).