Showing posts with label Antonietta Monzo Menossi. Show all posts
Showing posts with label Antonietta Monzo Menossi. Show all posts

Monday, August 16, 2010

New Drawn Threadwork Book

There is nothing like coming home from a difficult day at work to find a manilla envelope from Italy sitting in the mailbox. It doesn't matter what's inside, as soon as I see that golden paper sticking out of the top of the mailbox, I know my day is about to get infinitely better.

This is what arrived today:


It is the latest book by Antoinetta Monzo Menossi, collaborating with Laura Marzorati and Stefania Bressan. Three enormously talented needlewomen who have worked together to bring us lace-like drawn thread work.

While the text is in Italian only, the diagrams and step-by-step photos are so good, you can figure out the compositions easily.

The book is 64 pages and goes for 18 euros. There are over 30 stitches explained and many corner treatments as well as tips and tricks.

All stitches are accompanied with actual photos of what they look like stitched up.

You can purchase Guida al Ricamo Sfilato from Tombolo Disegni, click on "Libri/Books", then "Libri/Ricamo", then "Ricamo Italiani" – send an email request to order. I notice today that there is also a new book on that page on Punto Perugino which we talked about yesterday!

Tuesday, July 27, 2010

Italian Blackwork

In the Victoria & Albert Museum in London there is a 16th century Italian Blackwork sampler. This sampler fascinated American needlework teacher Dakota Rogers so much that she reproduced patterns from it to make an exquisite sampler of her own called Tiramisu.

This is my own stitched Tiramisu, I took the class from Dakota Rogers through the Embroiderers Guild of America in 2008:


La Muta by Raphael depicts some Italian Blackwork, check out the cuffs.

Here we see a late 16th century Italian man's shirt taken from At Home in Renaissance Italy, 2006:


In the Palazzo Davanzati in Florence there is a 17th century Italian sampler with Blackwork on it:


Elisa Ricci
in her Ricami Italiani Antichi e Moderni, 1925 notes that Punto Scritto (Backstitch) in Italy is most often found in combination with some other embroidery technique like Satin Stitching or Cross Stitching such as the fretwork in Assisi Embroidery:


Lucia Petrali Castaldi in her Dizionario Enciclopedico di Lavori Femminili, 1941 lists Punto Scritto being interchangeable with Punto Volterrano [Volterra Stitch]. There are no examples pictured and no other information.

In the introduction of the 2007 book Volterrano 2006 by Antoinetta Monzo Menossi, Rosalba Niccoli talks about the difficulty she experienced in finding any trace of Punto Volterrano in Volterra, Italy. It seems there were two kinds of embroidery: the oldest being "il punto scritto volterra" [Volterra Backstitch], said to have been executed in gold thread though no proof or extant samples survive; and "il punto volterrano" [Volterra Stitch] created by a teacher named Emma Gazzarri from the Technical Institute in the mid 1900s. Antoinetta Monzo Menossi took all this information into account when creating patterns for the small volume of delightful designs (text in Italian).


Other Italian books on Blackwork are: Poesia di uno stile: Interpretazione Liberty by Manuela Alida D'Anna, 2009 (text in Italian, English and German) charming designs in Art Nouveau style with excellent technical execution instructions; L'Arte del Blackwork, 2007 and Idee in Blackwork, 2009 by Bruna Scagnetti & Gabriella Antoniazzi (text in Italian and English) of the association Il Friuli Ricama.

All books listed are available from Tombolo Disegni. Click on: Libri/Books, then Libri Ricamo, then Ricamo Italiani or Blackwork (different books are listed on different pages) – send an email request to order.

Thanks to Armida for the Palazzo Davanzati sampler photo!

Friday, March 26, 2010

Hemstitching

I'll admit that I'm very much attracted to different types of hemstitching. Usually instead of flipping over embroidery to look at the back like other stitchers do, I feel around for the edge to see how it has been treated. Italian needlework feeds my craving for hemstitching in all kinds of fascinating ways. There is so much creativity and imagination!

This one I had to try, its name is so fun! It's kind of like Nun's Stitch but different. It's called Dente di Gatto or literally, Cat's Tooth (front and then back):

This one is made of tiny thrown stitches and knots... I wish I could say I did these but mine will never look like this in a million years! These stitches are part of a needle lace technique called Puncetto:

I love this one with three Buttonhole stitches in each hole, again done on high count linen. It is the edging of a lavender sachet that was given to me:

This is one of the first ones I tried... I'm not sure what its called:


Here is my sad attempt at a rolled hem - look how wavy it is! I really liked the arrowheads though:


Gigliuccio is my all-time favourite! This one was done on extremely fine linen (and not by me!):



Oh, I could go on and on! And I probably will in another post. For now I'll leave you with some books to check out. Punti a Giorno (Decorative Hemstitch) Vol. 4 by Giuliana Buonpadre. My copy is in Italian but I understand that you can get copies also in either French or English. All of her books are very clear with diagrams and photos of each stitch.

I Miei Sfilati (My Drawn Thread Works) by Antonietta Monzo Menossi. More complex combinations but really beautiful work, text in Italian and English. You can get this one at Tombolo Disegni (click on: Libri/Books, Libri-Ricamo, Ricamo Italiani - scroll to the bottom of the page).

For the Gigliuccio (known in English as the Peahole Hemstitch) or for the Cat's Tooth (together with lots of other great hemstitches in a booklet called: Hems and...) send an email to Italian-Needlecrafts who is the overseas reseller for these fantastic books.

Sunday, March 21, 2010

Aquileia Embroidery

So, let's start at the beginning of the alphabet as I am lacking in imagination at this moment.

Aquileia Embroidery is a relatively 'new' technique; that is, the fabulously talented maestra Antonietta Monzo Menossi of the Italian Needlework school Ricami e Legami in Udine, Italy was inspired by the mosaics of Aquileia and wanted to reproduce them using embroidery stitches to commemorate the third millennium. The technique is composed mainly of groups of Satin Stitches arranged to imitate mosaic tiles, Whipped Chain Stitch for outlines and Rodi pulled stitches for background filling. Some information I found in English goes as follows: "With this embroidery a stole was produced [and] donated to his Holiness on the occasion of the Jubilee 2000, a set of sacred vestment[s] for the Archbishop of Udine and a triptych which transfers the classic patterns of the floor of the basilica of Aquileia given to President Ciampi and his wife."


I have a book called: Gioielli d'Ago which showcases Signora Menossi's work and that of her also very talented sister AnnaMaria Monzo Veronese in Aquileia Embroidery as well as other techniques like Hedebo and Needlepainting. Although the text is in Italian only, this book has lots of pictures of how to execute the various stitches (quite an extensive section on Hedebo), and is a treat for the eyes (I love mosaics!).

This book can be purchased online from Tombolo Disegni, click on 'Libri/Books', then 'Libri Ricamo', then 'Ricamo Italiani' to get to the right page and scroll down. To order from this website you must click on the side bar at the right 'Come ordinare' and send an email request to the email address listed there. Copy and paste the info about the book you want so there is no misunderstanding and Gianfranca the owner will send you an email PayPal request.

You can read more about the Monzo sisters on the Italian Embroidery website TuttoRicamo, click on the British flag for the English version and then look under 'Prominent Characters'. While you're there, under the 'How its done' section is a tutorial for the Rodi pulled stitch (the article heading is: pulled thread work).