Showing posts with label Associazione P.Es.Co.. Show all posts
Showing posts with label Associazione P.Es.Co.. Show all posts

Monday, October 11, 2010

Romeyne Robert and Umbrian Embroidery - Part Three

If you are just joining us now, we started looking at Umbrian Embroidery here and continued here.

As previously stated the Marquess Romeyne Robert and Carolina Amari based the technique of Umbrian Embroidery on some antique Arab embroideries in the personal collection of the Countess Edith Bronson Rucellai of Florence.

I have been exploring my little book from the Associazione Culturale Femminile P.ES.CO. mentioned previously.

Correction: I did not interpret this stitch correctly! Please click here for the correct way to execute this lovely stitch!

One stitch I particularly like is the Punto Ricciolino [a literal translation would be: Little Curl Stitch]. I hope I am interpreting it correctly here:


This is a particularly attractive stitch for curved lines, giving a raised effect that I really like!


I'm doing a little sampler and will go over the other stitches in a future post.

Romeyne Robert and Umbrian Embroidery - Part One

Romeyne Robert and Umbrian Embroidery - Part Two

Romeyne Robert and Umbrian Embroidery - Part Four

Saturday, October 2, 2010

Romeyne Robert and Umbrian Embroidery - Part Two

Let's continue on with our investigation of Umbrian Embroidery. If you're just joining us, please start with Part One.

The embroidery school/workshop founded and run by Romeyne Robert, Marquess Ranieri di Sorbello with the able management and outstanding input of Carolina Amari enjoyed ever-increasing success from 1904 until about 1933 or 1934 when both the school/workshop and the Arti Decorative Italiane shop in Perugia closed. It seems a number of factors were involved in the closures, most likely being the economic difficulties of the times and the advancing age of the two ladies.

After the closures, the Marquess Romeyne exhibited a collection of the very best pieces from the school/workshop in the Palazzo Sorbello and went on to collect antique pieces of embroidery and textiles.

Some students continued to make Umbrian Embroidery and later to teach it to others. In the late 1990s a renewed interest in this needlework brought about a revival which still continues today. There are now a few embroidery schools in Italy who teach Umbrian Embroidery.

While at the Italia Invita Forum of Lace and Embroidery in Parma in 2009, I picked up a little book from the Associazione Culturale Femminile P.ES.CO. [Women's Cultural Association P.ES.CO]:


A small format book of about 50 pages, it has technical instructions of most of the stitches which define the technique of Umbrian Embroidery including how to do some of the tassels. The text is in Italian but there are lots of clear diagrams. I've had a bit of success trying it out, though, like any other embroidery technique, you must practice in order to perfect stitch tension. Some of my attempts are quite sad so I would really like to take a course in this needlework - I am especially attracted to it's tone-on-tone texture.

At the EGA Seminar in San Francisco, the Italian ladies brought some pieces of Umbrian Embroidery from the P.ES.CO. Association with them. The pieces were spectacular!



The P.ES.CO. Association's goal is the "defense, conservation and dissemination of the artistic, artisan and cultural traditions of the area". They also promote the local art of Crochet Lace which we will talk about in another post. This is a group of astonishingly talented women. They keep a permanent exhibit at the Palazzo del Rondò in Tuoro sul Trasimeno in the province of Perugia if you happen to be passing by.

The book is available directly from their website if you are in Europe, otherwise to pay with PayPal, check out Tombolo Disegni (click on Libri/Books, then Libri/Ricamo, then Ricamo Italiani - send an email request to order).

Next time we'll have a look at some characteristic stitches of Umbrian Embroidery.

Romeyne Robert and Umbrian Embroidery - Part One

Romeyne Robert and Umbrian Embroidery - Part Three

Saturday, September 25, 2010

Romeyne Robert and Umbrian Embroidery - Part One

In 1878 Romeyne Robert was born in New Jersey to American parents who traveled quite a bit and during a visit to Rome met her future husband the marquis Ruggero Ranieri di Sorbello.

Soon after their marriage in 1902, the couple settled in to live at the 17th century Palazzo Sorbello in Perugia. This breathtaking palazzo is worth a visit as it houses important collections of paintings, prints, pottery, embroideries and one of Italy's most important libraries of rare texts.

Marquess Romeyne felt a strong desire to help the country folk on her family's estates and set up a Montessori school (which, at the time, was a brand new teaching method) for children where she also initiated sewing and embroidery lessons for women.

The success of these classes brought about the establishment in 1904 of an embroidery workshop called "Scuola Ricami Ranieri di Sorbello" [Ranieri di Sorbello Embroidery School] which she based on one of the Ranieri family estates called the Villa Pischiello near Lake Trasimeno in the province of Perugia.

Starting with 8 employees, the workshop counted near to 150 employees at its peak of popularity and enjoyed success until 1934. A co-operative named "Arti Decorativi Italiane" [Decorative Italian Arts] was started and opened a shop in the city of Perugia to sell the products of textile, lace and embroidery workshops from the surrounding area and even from a little farther away in the other regions of Italy.

Together with Carolina Amari an extraordinarily talented needlewoman from Florence, the Marquess Romeyne developed the technique of Punto Umbro [Umbrian Embroidery], also known as Sorbello Embroidery and Pischiello Embroidery, from antique pieces in the personal collection of the Countess Edith Bronson Rucellai of Florence.

The cover of an undated brochure on the technique reads as follows:
"The Punto Umbro is the revival of an ancient and forgotten Arab stitch used in Italian, Spanish and Portuguese embroideries. It was discovered among some of the rare needlework in the fine collection of Countess Edith Rucellai. The stitch was deciphered, copied, and applied to renaissance Italian designs, through the ability of Signorina Carolina Amari of Florence, and has become the specialty of the school of embroidery founded, organized and directed at Pischiello, Passignano, by the Marquess Ranieri di Sorbello for the benefit of the women on her husband's estate and neighboring towns bordering the historic Lake Trasimeno, Umbria."

An excellent book on the history relating to this technique and it's founders is Ricami della Bell'Epoca published by the Uguccione Ranieri di Sorbello Foundation with articles by noted textile scholars Maria Luciana Buseghin and Iolanda Silvestri. Most of the text is in Italian but there are some bits in English and also some summaries of the essays in English at the end. There are lots of photos of Italian embroideries, laces and textiles. The cover art gives you an idea of the embroidery technique Punto Umbro:


Next time we will go into detail on the technique of Punto Umbro and talk about what is happening today to continue the tradition of this fascinating needlework and one of the particularly talented associations called P.Es.Co. For now, whet your appetite by checking out their photo galleries.

Romeyne Robert and Umbrian Embroidery - Part Two

Romeyne Robert and Umbrian Embroidery - Part Three